A cinematographic analysis of English-dubbed Korean films by Miseon Yoon

“…The data comprises 12 original and English-dubbed Korean film DVDs released in North America in the 21st century. …”
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Arte vanguardista en América Latina y nuevo cine latinoamericano by Silvana Flores

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Electrochemical Tests to Evaluate the Stability of the Anodic Films on Dental Implants by C. E. B. Marino, L. H. Mascaro

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THE REPRESENTATION OF NATIVE AMERICAN IN THE LONE RANGER FILM: A GENETIC STRUCTURALISM ANALYSIS by Dyani Prades Pratiwi

“… Racism is part of America's dark history. Racism seems to have never been resolved. …”
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Preparation and Characterization of Proteinaceous Films from Seven Mexican Common Beans (Phaseolus vulgaris L.) by Claudia Montalvo-Paquini, Raúl Avila-Sosa, Aurelio López-Malo, Enrique Palou

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Quantifying Women’s Marginalisation in Ibero-American Film Culture During the First Half of the Twentieth Century: A Network-Science Proposal by Ainamar Clariana-Rodagut, Alessio Cardillo

“…On the one hand, we built a network of interactions between people involved in the film field in Ibero-America during the first half of the twentieth century. …”
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Study of Electrical Transport Properties of Thin Films Used as HTL and as Active Layer in Organic Solar Cells, through Impedance Spectroscopy Measurements by Camilo A. Otalora, Andres F. Loaiza, Gerardo Gordillo

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Effect of pH and Mexican Oregano (Lippia berlandieri Schauer) Essential Oil Added to Carboxymethyl Cellulose and Starch Edible Films on Listeria monocytogenes and Staphylococcus au... by Addí Rhode Navarro-Cruz, Carlos Enrique Ochoa-Velasco, Francisco Javier Caballero-Alvarez, Martin Alvaro Lazcano-Hernández, Obdulia Vera-López, Aurelio López-Malo, Raul Avila-Sosa

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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

“…  Since its release in 1940, John Ford’s adaptation of John Steinbeck’s The Grapes of Wrath has sustained significant popular interest. However, the film adaptation has been more frequently analyzed for its thematic content than appreciated for its visual aesthetics, likely due to its connection with Ford’s established cinematic legacy and its alignment with the broader corpus of works addressing the socio-economic struggles of Depression-era America. …”
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Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic? by Anne-Marie Paquet-Deyris

“…By reconsidering the classic biopic/historical film, this article examines how the movie relocates America’s problems with race at the very heart of the national debate and offers a “post-post-racial” screen model that directly confronts race history.…”
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'n Narratologiese verkenning van die grufilm- en riller- subgenres by Ian Saunderson

“…Wigston used the narrative model of Vladimir Propp to analyse the news content of Radio Moscow and Voice of America. Wigston did not arrive at final conclusions, and this contribution puts two popular film subgenres, the horror and the thriller. to the• test • of narrative theory. …”
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Capital punishment or capitol forgiveness? The enduring message of Dead Man Walking by Frederick Hale

“… The best-selling book and internationally popular film Dead Man Walking address squarely the issue of capitol punishment which has been extensively debated throughout much of the world and challenged the ethical thinking of Christian and non-Christian moralists. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Arguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil. …”
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"Mouth !" : voix et lieux du pouvoir dans Norma Rae de Martin Ritt (1979) by Corinne Oster

“…Hollywood has never been eager to make movies about the American working class. In the few films that depict social conflict in US society, a few characters, and even fewer women, stand out as the protagonists of a working-class America in which they struggle, often barely surviving, often trying to get out of their condition. …”
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Optimizing in vitro spherulation cues in the fungal pathogen Coccidioides by Christina M. Homer, Elena Ochoa, Mark Voorhies, Anita Sil

“…Together, our data reveal multiple strategies to optimize in vitro spherulation growth, enabling characterization of this virulence-relevant morphology.IMPORTANCECoccidioides spp. are thermally dimorphic fungal pathogens found in the Southwest United States, Mexico, Central America, and South America. Coccidioides can infect both immunocompetent and immunocompromised people and can cause a devastating disseminated infection, including meningitis, with 30% mortality despite all currently available treatments. …”
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PFAS contamination in tap water: Target and suspect screening of zwitterionic, cationic, and anionic species across Canada and beyond by Termeh Teymoorian, Gabriel Munoz, Sébastien Sauvé

“…The occurrence of FTAB likely reflects shifts from PFOS-based aqueous film-forming foams (AFFF) in the past decades, and possibly other uses. …”
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Amazon Journeys and Poetic Re-Discoveries in Jan Conn’s 'Jaguar Rain' and Malu de Martino’s 'Margaret Mee e a Flor da Lua' by Magali Sperling Beck, Anelise R. Corseuil

“…In the film, Martino reconstructs Mee’s final journey to the Amazon in search of the moonflower while also reinstating the artist’s important contributions as an artist, environmentalist, and contemporary explorer. …”
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Lílo ‘BBC News Yorùbá’ fún Ẹ̀kọ́ Yorùbá ní Amẹ́ríkà by Victor Temitope Alabi

“…Finally, I analyzed an interview with Chief Ọbásanjọ́ to show the import of the framework and of interviews as authentic pedagogical resources in the Yorùbá language classroom across America. …”
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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

“…The absence of imported films, especially from India, Malaysia and Hollywood, had an effect on the declining number of spectators. …”
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UM CINEMA À MARGEM by Paulo Marcondes Ferreira Soares

“…Procuro evidenciar como filmes, roteiros ou manifestos compõem um universo artístico-cultural e politico intricado, nao se podendo considera-los em separado, sobretudo, na experiência de um cinema a margem tal como em certas manifestações cinematográficas no Brasil e na América Latina dos anos 1960. …”
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