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  1. 1

    Cultures of Display: The Mirror of Imperialism by John M. MacKenzie

    Published 2021-06-01
    “…Until that time, such history was treated in highly ethnocentric ways, often with a specific focus on imperial rule from above. …”
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    On the Natal Philopatry of the Eastern Imperial Eagle of the Volga Population by Mikhail V. Korepov

    Published 2023-10-01
    “…Population structure across the range of the Eastern Imperial Eagle (Aquila heliaca) remains one of the controversial issues that can be resolved by data on the distribution of juveniles from different points in the range. …”
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    “The Founder and Father of his Empire”: Voltaire on the Peace of Nystad and the Imperial Status of Russia by S. A. Mezin

    Published 2022-09-01
    “…It was found that Voltaire drew a more optimistic picture of Peter I’s imperial title recognition, than it actually was. According to Voltaire, the specific feature of the Russian Empire, created by Peter I, lies in the fact that it was a self-civilizing empire, bringing enlightenment on the neighboring «barbaric» peoples.The author of the paper, reviewing specific cases, arrives at a conclusion, that Voltaire’s works of high confidence for their time took a worthy standing in the world historiography of the Petrine era, due to a wide range of sources, the historian’s ability for their critical assessment, his seeking to maintain a certain evaluation independence in the description of events from different perspectives, his commitment to historical truth, his talent of a writer.The work is carried out within the project, aimed at publishing a first complete scientific edition of «The History of the Russian Empire under Peter the Great» in Russian.…”
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    Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes by Gilles Teulié

    Published 2019-06-01
    “…It is against this context that the article will consider how ‘high culture’ and ‘popular culture’ (and particularly postcards) permeated Victorian and Edwardian society, and through the transformative power of the Arts, contributed eminently to the consolidation of the imperial project.…”
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    The high-resolution map of Oxia Planum, Mars; the landing site of the ExoMars Rosalind Franklin rover mission by Peter Fawdon, Csilla Orgel, Solmaz Adeli, Matt Balme, Fred J. Calef, Joel M. Davis, Alessandro Frigeri, Peter Grindrod, Ernst Hauber, Laetitia Le Deit, Damien Loizeau, Andrea Nass, Cathy Quantin-Nataf, Elliot Sefton-Nash, Nick Thomas, Ines Torres, Jorge L. Vago, Matthieu Volat, Sander De Witte, Francesca Altieri, Andrea Apuzzo, Julene Aramendia, Gorka Arana, Rickbir Singh Bahia, Steven G. Banham, Robert Barnes, Alexander M. Barrett, Wolf-Stefan Benedix, Anshuman Bhardwaj, Sarah Jane Boazman, Tomaso R. R. Bontognali, John Bridges, Benjamin Bultel, Valérie Ciarletti, Maria Cristina De Sanctis, Zach Dickeson, Elena A. Favaro, Marco Ferrari, Frédéric Foucher, Walter Goetz, Albert F. C. Haldemann, Elise Harrington, Angeliki Kapatza, Detlef Koschny, Agata M. Krzesinska, Alice Le Gall, Stephen R. Lewis, Tanya Lim, Juan Manuel Madariaga, Benjamin James Man, Lucia Mandon, Nicolas Mangold, Javier Martin-Torres, Joseph D. McNeil, Antonio Molina, Andoni G. Moral, Sara Motaghian, Sergei Nikiforov, Nicolas Oudart, Andrea Pacifici, Adam Parkes Bowen, Dirk Plettemeier, Pantelis Poulakis, Alfiah Rizky Diana Putri, Ottaviano Ruesch, Lydia Sam, Christian Schröder, Christoph Statz, Rebecca Thomas, Daniela Tirsch, Zsuzsanna Toth, Stuart Turner, Martin Voelker, Stephanie C. Werner, Frances Westall, Barry J. Whiteside, Adam Williams, Rebecca M. E. Williams, Jack Wright, Maria-Paz Zorzano

    Published 2024-12-01
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