CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

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ELENA MARIA ŞORBAN – BOOK QUARTET: 1. THE HISTORY OF MUSIC AND US: CREATIVE PERMANENCIES, 2. THE OLD MUSIC. A CONCISE HISTORY, 3. CLASSICAL AND ROMANTIC MUSIC, 4. THE NEW MUSIC Eikon Publishing House, Cluj-Napoca, 2013 & 2014 by Anamaria Mădălina HOTORAN

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La maison et le jardin de Maurice Ravel à Montfort-l’Amaury (Yvelines) by Agnès Chauvin, Marie-Hélène Didier

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Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle by Lise Manin

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Internationalization Strategies in Music Festivals by Amélia Maria Pinto da Cunha Brandão, Rodrigo Ferreira de Oliveira

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The Power of Folk Music: City Branding, Musical Imaginaries, and Tourism-induced Placemaking in Yulin, Chengdu (China) by Shuyue Chen

“…This study focuses on the built environment of Yulin and shows the power of folk music to shift people, buildings, and money. It discusses how a contemporary folk song resonates with the imaginaries of Chengdu as “the city of leisure” and how Yulin has been changed due to musical imaginaries. …”
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Writing Names in Music Books. Case Studies from the Viadrina Collection Held in the Music Department at University of Warsaw Library by Antonio Chemotti

“… The Music Department at University of Warsaw Library houses a corpus of musical sources originating from the library of Viadrina University in Frankfurt an der Oder, predominantly comprising musical prints from the late sixteenth to early seventeenth century. …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“… Conductor Keri-Lynn Wilson began her musical studies at a very young age. While other children were still learning how to talk, she first started her piano lessons at the age of three, completing her passion for music by gradually adding two other instruments: the violin and the flute. …”
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The principle of multiplicity in the design of a wooden house facade by Dolgov Alexander V.

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PHILOSOPHICAL FEATURES OF THE CHINESE MUSICAL TRADITION. GENERAL ANALYSIS by Liu Yongxu

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ENSEMBLE MUSIC AS EDUCATIONAL AND COMMUNICATIVE RESOURCE. ONLINE SEMINAR REVIEW by Valentina L. Boiko, Svetlana A. Mitasova, Sergey G. Chaikin

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Dora Pejačević and Music Salons in Continental Croatia as Hubs of Cultural Networking by Vjera Katalinić

“…In the first instance (concerning space), it can be observed from three perspectives: as a distinguished space of music-making within the aristocratic or bourgeois house, as a socially exclusive event, and as a convivial gathering. …”
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Wellbeing for young elite musicians: development of a health protocol from a student perspective by Ann Shoebridge, Margaret S. Osborne, Margaret S. Osborne

“…Barriers to wellbeing included constraints in finances, leave allowances and time, pressure from interpersonal challenges and unhealthy norms in the music performance culture. Recommendations for change included updating the financial policy; having more flexible leave conditions to allow higher earnings and better access to performance opportunities; having reliably scheduled time off; collaborative planning with staff around playing rosters; more activities for musician enhancement and social bonding; exercise opportunities in-house; addressing pervasive cultural norms around practice and breaks; education regarding respectful and professional conduct; an effective complaints procedure, and more practical wellbeing sessions.…”
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The sounds of early eighteenth-century pastoral: Handel, Pope, Gay, and Hughes by Jeffrey HOPES

“…Between them his pastoral opera Il pastor fido was performed in 1712. Handel’s music builds a pastoral language that draws on the conventions of the genre but which constantly subverts and manipulates them for dramatic and psychological effect. …”
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« Si le folklore musical existe, alors il est vivant ; s’il est vivant, alors il est normal qu’il meure » by Francesco Giannattasio

“…Italian ethnomusicology has never been characterised, as it is in France, by a strong dichotomy between research within the country and research "outside the house" in Diego Carpitella’s words. Until recently, it was confronted with living musical contexts, emerging from a mosaic of economic and cultural strata and social issues unique in the European panorama. …”
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Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

“…We analyzed songs from 1979 to 1999, produced in Los Angeles, as the heart of Iranian pop music after the revolution, focusing on the concept of “home.” …”
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L’univers sonore de Sredni Vashtar (Andrew Birkin, 1981) by Sophie Mantrant

“…Thus, ‘O Fortuna’ is set in sharp contrast with the tick-tock of the clock that can be heard in the dreary Edwardian house. As it is associated with the colour red, the music also highlights by contrast the greyness of a constraining adult world. …”
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MADONNA’S FOUR-DECADE INFLUENCE: BRAND STRATEGY AND GLOBAL IMPACT OF THE CELEBRATION TOUR RIO DE JANEIRO by Pedro BELTRÁN CUERVO, Cecilia VALLEJOS PARÁS

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THE RENAISSANCE FRENCH PSALTER. (THE ROMANIAN VERSIFICATION OF THE PSALMS WITH HUGUENOT MELODIES. ON THE OCCASION OF CELEBRATING THE 450th ANNIVERSARY OF THE FIRST FRENCH PSALTER,... by Anamaria Mădălina HOTORAN

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FEATURES PROMOTION OF HOTEL SERVICES WITH THE USING MODERN MARKETING METHODS by V. Kolobkova, D. Suvorova

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