Kirk Combe and Brenda Boyle, Masculinity and Monstrosity in Contemporary Hollywood Film by Melenia Arouh

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Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980) by Lara Cox

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Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique by Anne Martina

“…Through a close reading of Busby Berkeley’s Take Me Out To The Ball Game (MGM, 1949) and Vincente Minnelli’s Meet Me in St. …”
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New Orleans as the city of misfit women in Jezebel (William Wyler, 1938) and The Flame of New Orleans (René Clair, 1941) by Taïna TUHKUNEN

“…In several Hollywood movies on the antebellum South, the city of New Orleans pivots upon an unruly woman, ill-adapted to the codes and customs of the country, to serve the cinematographic portrayal of the 19th century Louisiana city, viewed as a topos of cultural and sexual instabilities, as well as a perfect site for spectacles and shows of all kinds. …”
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Gastroduodenal Obstruction Secondary to Pica-associated Bezoar: A Case Report by Mariam Attia, Ashley A. Lavoie-Forrest, Phoebe Langius, Leon Melnitsky, Sandra Lopez, Eric Boccio

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Duplicate Vas Deferens Encountered during Inguinal Hernia Repair: A Case Report and Literature Review by Maxwell C. Breitinger, Evan H. Roszkowski, Adam J. Bauermeister, Andrew A. Rosenthal

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Czarny kryminał i nieklasyczna narracja. „Wielki sen” Howarda Hawksa, „Żegnaj laleczko” Edwarda Dmytryka i „Tajemnica jeziora” Roberta Montgomery’ego by Patrycja Włodek

“… Film noir, jeden z najpopularniejszych nurtów lat 40. w Hollywood, oferował nie tylko specyficzną estetykę, ekspresjonistyczny styl filmowania, postać prywatnego detektywa i demonicznej femme fatale, ale też próby eksperymentowania z narracją filmową. …”
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