Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980) by Lara Cox

“…It suggests that while the American film industry has had a long-standing esteem for French culture, it was during the 1950s that Hollywood began to promote systematically positive representations of Frenchwomen in the Western. …”
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Film Industry at the Service of EU Identity Politics by E. V. Khakhalkina, A. V. Vyachistaya

“…Metz).The article analyzes how the EU has intensified its institutional support and promotion of European cinema, particularly in response to the «crisis of ideas» in Hollywood, which has left a void in the global film market. …”
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Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

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Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

“…The paper will first show that adapting comic books is ideal for the film industry as comic books perfectly fit the blockbusters’ formula. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Lynch’s cinematic outings, such as the neo-noir Lost Highway (1997), the acclaimed Hollywood fantasy Mulholland Drive (2001), and the experimental nightmare Inland Empire (2006), are all set in the heart of the film industry, in Los Angeles, and reveal his most ambitious vision yet: to examine the hierarchies of images in American pop-culture, providing a space in which dreams and nightmares routinely, yet subtly, intersect. …”
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ISSUES OF INDIVIDUAL CAPITALISM IN THE NARRATIVE FILM OF THANK YOU FOR SMOKING AND THE COMPANY MEN by Sukarni Suryaningsih

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Substitute locations of urban spaces in films shot in Spain: motivations, representations and consequences by Víctor Aertsen, Carlos Manuel Valdés, Antonio Martínez Puche

“…To improve this situation, we start with a brief review of three moments of Hollywood’s history where substitute locations have been central as an industrial practice, cultural debate and promotional strategy, and we propose six parameters that we consider of interest to pursue a detailed analysis of this phenomenon, especially in urban environments. …”
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SPEAKING BODIES, VISIBLE VOICES: NARRATIVE TENSION IN COPPOLA’S APOCALYPSE NOW: REDUX (2001) by Alifa Syauqina Mori, Aquarini Priyatna, Ari J Adipurwawidjana

“…The extended version, which features almost an hour-long addition of new scenes, challenged the question of the film’s continued relevance within the evolving Hollywood industry. …”
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OVERLOOKING THE TRANSFORMATION OF VALUES THROUGH THE TRANSNATIONAL AMERICAN REMAKES MOVIES by Muhammad Fithratullah, Elisabeth Ngestirosa Endang Woro Kasih, Janata Shoji Al Falaq, Muhammad Fadel

“…The industry faces complex processes to align the values of popular films with audience tastes while maintaining the essence of original works. …”
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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

“…The absence of imported films, especially from India, Malaysia and Hollywood, had an effect on the declining number of spectators. …”
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