David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Lynch’s cinematic outings, such as the neo-noir Lost Highway (1997), the acclaimed Hollywood fantasy Mulholland Drive (2001), and the experimental nightmare Inland Empire (2006), are all set in the heart of the film industry, in Los Angeles, and reveal his most ambitious vision yet: to examine the hierarchies of images in American pop-culture, providing a space in which dreams and nightmares routinely, yet subtly, intersect. …”
Get full text

Los Angeles, espace augmenté révélé par un genre littéraire : l’anthologie by Charles JOSEPH

“…Often perceived as an anti-intellectual space, Los Angeles is a city that was built on the indelible association that unites it to the Hollywood industry and which produced exponentially - even more so from WWII - an idealized imagery of its territory leading to a collective imaginary that governs many expectations as well as the irresistible diktat of what the “American Way of Life” is supposed to be or look like. …”
Get full text

Comment on “Management of Atrial Fibrillation in Critically Ill Patients” by Roger Jelliffe

Get full text