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    The Contemporary Critical Reception of Walter Pater: Retrospective and Proleptical Views by Geoffrey Sadock

    Published 2008-12-01
    “…By showing the shift from hostile modernism to a more open and inclusive conception of his literary persona, I explain why Pater is no longer dismissed as precieux and inconsequential by the guardians of High Culture (such as Eliot) but is recognized as an original who synthesized personal preoccupations and aesthetic/critical response to various art forms, nature, and persons. …”
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