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    Staging Sedition despite Censorship: the Representation of the People on the Shakespearean Stage in 2 Henry VI by Delphine Lemonnier-Texier

    Published 2013-11-01
    “…Due to the lack of archival evidence, circumscribing the phenomenon of stage censorship in Early Modern England is a difficult task. Thanks to The Book of Sir Thomas More, there is proof that the Master of the Revels did censor scenes of popular sedition, and the presence of similar and yet apparently uncensored scenes in other Elizabethan plays is somewhat puzzling, even more so when these scenes of popular rebellion appear ambivalent, which is the case of the Jack Cade rebellion in Shakespeare’s 2 Henry VI. …”
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    The influence of Christianity on Graeco-Roman medicine up to the Renaissance by Francois P. Retief, Louise Cilliers

    Published 2005-06-01
    “…But after the Reformation and Henry VIII of England’s break with the Vatican, the hegemony of the Church had come apart and Christianity and medicine gradually became realigned according to the realities of the Age of Enlightenment. …”
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    ‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893) by Ignacio Ramos Gay

    Published 2017-11-01
    “…This study aims to analyse the impact of the Comédie-Française in Victorian England by focusing on the company’s visits to London in 1871, 1879 and 1893. …”
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