Showing 1 - 4 results of 4 for search 'God Worshipping Society', query time: 0.05s Refine Results
  1. 1

    வா. மு. கோமு சிறுகதைகள் காட்டும் பண்பாட்டு மீறல்கள் / Cultural Violation shown in the Short Stories of Vaa. Mu. Komu... by அ. சதிஸ்குமார் / A. Sathishkumar

    Published 2025-01-01
    “…Cultural changes often occur while ignoring customs that are followed in God worshipping since ancient times. By influencing and changing certain customs in sacrifice in temple festivals due to economic growth, the caste ideology created for the marginalized people by people belonging to higher caste avoids significant customs and rituals in view of chaotic situations that arise in family life and accept modernized language and dress. …”
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  2. 2

    Critique of the Anthropological Foundations of Lifestyle in Adler’s Theory of Individual Psychology from the Perspective of Islam by Amir Qorbanpoor Lafmejani

    Published 2020-09-01
    “…According to Islam, the purpose of life is to worship and a nearness to God. That is, if all the behaviors of a Muslim man are for God and His pleasure, that is, his intention to do things is only God’s pleasure, he will approach God, and the purpose of his creation will be achieved.…”
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  3. 3

    பெரியபுராணத்தில் நாயன்மார்களின் பண்பாட்டு மரபுகள் / Cultural Traditions of the Nayanmars in Periyapuranam... by முனைவர் க. முத்துமாரியம்மாள் / Dr. K. Muthumariammal

    Published 2025-01-01
    “…These saint-poets not only attained divine realization themselves but also imparted their spiritual insights to fellow devotees and Tamil society. As a result, Tamil people developed a profound devotion to God and began to worship with great reverence. …”
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  4. 4

    The problem of faith crisis in the drama 'The Bus' by Lukas Bärfuss by E.N. Shevchenko

    Published 2018-02-01
    “…The purpose of this paper is to analyze the problems of the crisis of faith in modern European society based on the play by Lukas Bärfuss “The Bus”; to study the image of a “lost man”, the one who lost faith in oneself, in goodness and God himself as a new “hero” of modern drama.…”
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