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    AIDS, Caregiving and Kinship: The Queer “Family” in Bill Sherwood’s Parting Glances by Nikola Stepić

    Published 2017-03-01
    “…As a counterpoint to the emerging homonormativity of the twenty-first century, this paper seeks to identify and reevaluate the potential of queer chosen families as they are cinematically mediated, and historically located, in the context of the AIDS epidemic. With Bill Sherwood’s 1986 film Parting Glances as a case study, the paper argues that the melodramatic mode of these films, with the repetition of tropes such as caregiving, mourning and funerals, ushers an alternative mode of familiality into queer narratives and champions the queer chosen family. …”
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