DIE MUSIKALISCHE ANALYSE DES WERKES „MYSTERIUM“ VON KISKAMONI-SZALAY MIKLÓS by Zoltán SZALAY

“…In 1986 he emigrated to Austria to escape from repression suffered by the Hungarian population in Romania. …”
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May Sinclair’s Romantic Corpus by Leslie de Bont

“…In Mary Olivier, the numerous quotes and gloss of Romantic poems become a textual network that forms an interesting counterpoint to the Modernist aesthetics of fragmentation. As the main character Mary is caught in Shelley’s “Adonais,” her reading provides her with powerful images and an endless soundscape that help her escape oppressive Victorian institutions. …”
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MARCION OF SYNOPE’S RELEVANCE IN THE CONTEMPORARY WORLD VIS-À-VIS RELIGIOUS VIOLENCE by G Andrade

“…Marcion believed that the Old Testament God (Yahweh) was, in fact, the same as the creator or the material world, from which we must escape. He contrasted that God’s violent deeds with the peaceful nature and character of the New Testament God. …”
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Where styles collide: the Western Carpathians in the Early Iron Age in the light of pottery analysis by Joanna A. Markiewicz

“… In the Early Iron Age, the Western Carpathians constituted a contact zone of various cultural traditions, which contributed to the complex, syncretic stylistic character of this region. At the same time, due to the scarcity of archaeological data, consisting mostly of relatively poor pottery assemblages from settlements, these mountainous areas escape unambiguous cultural classifications. …”
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Polyphonie et hantise dans Villette : quelques aspects du pacte de lecture by Isabelle Hervouet-Farrar

“…One possible conclusion is that Lucy wishes her narratee to be rational in order to help her escape the threat of psychic annihilation.…”
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Du concept psychiatrique à la métaphore théâtrale : le miroir de l’Autre dans les dramaturgies postcoloniales de Caryl Churchill et de Nick Gill by Liliane Campos

“…This is particularly clear in Mirror Teeth, which offers us no escape from its regressive nightmare.…”
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Grotesque and Southern Gothic in Cormac McCarthy’s Blood Meridian by Hüseyin Altındiş

“…In order to present a moral compass to the reader, the text presents good-evil dichotomy and the world of human through the uncanny and grotesque characters of “the kid” and “the judge.” Through this dichotomy, the reader acknowledges the possibility of alternative narratives that escape from the control and totalizing gaze of dominant power and discourses. …”
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Clash of Past and Present: Production of Historical and Representational Spaces in Oscar Wilde’s Poetry by Emre Çakar

“…He criticized the traditional moral codes and values of the Victorian era in which he was born and rejected many Victorian poetic aspects. Wilde used characters and places of ancient Greek mythology in his poems and developed a poetic sensitivity that focused on the real places and characters of the city. …”
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Monstruos, prodigios y maravillas en los viajes de Pero Tafur by Pablo Castro Hernández

“…They are an anomaly that escapes from traditional forms, expressing excessive, huge and grotesque characteristics. …”
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Ars Demones *2022* Manifesto by Agnieszka Anna Wołodźko

“…Here, the mystagogy as a knowledge that escapes capture, that demands “contexts, milieus, practices, gestures, rituals, and technologies” is defined as demonology, following G. …”
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‘Solving the problem of reality’ in Virginia Woolf’s Flush by Pauline Macadré

“…Flush’s main character, Elizabeth Barrett Browning’s spaniel, can be seen as the epitome of Victorianism, an embodiment of its tradition of anthropomorphism and a displaced portrait of his mistress, but it is also the pretext for a modernist reconstruction of Victorian society, towards a new literary (re)presentation of the sensorial world. …”
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The French Actor on the London Stage: Charles Fechter by Catherine Quirk

“…The American critic Henry Austin Clapp describes him as ‘a master of the exterior symbolism of the histrionic art’, and the actor’s own annotations to his acting copy of Othello reflect the focus he placed on the development of his character through gesture, posture, movement, and other superficial markers. …”
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The History of Miss Jane Pittman by Christopher Mulvey

“…Gaines used the then un-mined resources of the slave narratives to provide structure, themes, characters and incidents for his novel. A comparison of The Autobiography of Miss Jane Pittman with the Narrative of William W. …”
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