SPEAKING BODIES, VISIBLE VOICES: NARRATIVE TENSION IN COPPOLA’S APOCALYPSE NOW: REDUX (2001) by Alifa Syauqina Mori, Aquarini Priyatna, Ari J Adipurwawidjana

“… Francis Ford Coppola’s Apocalypse Now: Redux (2001), a 2001 re-release of his 1979 Vietnam War epic, sparked significant discussions among both academic scholars and mainstream media. …”
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En Inde, dans les salles de cinéma, les spectateurs sont-ils acteurs ou simples spectateurs ? by Wendy Cutler

“…Indeed, in India, since the arrival of cinema, members of the audience do not content themselves with being simply spectators of the films projected. In that way, they distinguish themselves from their original role attributed by the epic poem, the Ramayana, in which they watched Sita’s sacrifice without reacting. …”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…Lacking the economic resources for such a luxury of patriarchal imagination, black nationalist practice most frequently resorts to more figurative embodiments of the gigantic feminine in art, poetry, song, and dance.Gaines’s gigantic female who voices and embodies black American epochal and epical history, Miss Jane Pittman, is cast as novel and film (1974) at the height of the black nationalist moment, when metaphorical she/males emblematizing the masculine heroism of black nation-building are proliferating all over the place in black popular culture. …”
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