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Shifting Musical Imaginaries at the Polynesian Cultural Center
Published 2023-07-01“…The Polynesian Cultural Center (PCC) is a cultural tourism site run by the Church of Jesus Christ of Latter-day Saints (LDS) as a money-making enterprise to support students and programs at Brigham Young University-Hawai’i (BYU-H). Polynesian music and dance performances are the definitive centerpiece of the PCC experience, and visitors are treated to live entertainment repeatedly throughout the park. …”
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The Case for Musical Instrument Training in Cerebral Palsy for Neurorehabilitation
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Automatic Recommendation Algorithm for Video Background Music Based on Deep Learning
Published 2021-01-01“…As one of the traditional entertainment items, video background music has gradually changed from traditional consumption to network consumption, which naturally also has the problem of information overload. …”
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Move Analysis of Awards Acceptance Speeches in The 22nd Vodafone Ghana Music Awards Ceremony
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Move Analysis of Awards Acceptance Speeches in The 22nd Vodafone Ghana Music Awards Ceremony
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Aussi vite que possible…
Published 2011-06-01“…Drawing on a comparison between different genres, I would like to suggest that beyond the classical opposition between body, entertainment, collective trance music, on a side, and written music that focuses on the composition of a work and is largely developed by opposing virtuoso seduction, on the other, it is possible to give virtuosity its ability to express a musical truth by turning it into an aesthetic of performance: less a technical feat than a necessary positioning of the work in the fragility of a present that is always to be recovered.…”
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Applying Durkheim to Elvis
Published 2013-05-01“…Elvis Presley has always had a very prominent and loyal fan following. In this article I argue that although Elvis fans are not substituting him for a deity, we can use one mechanism from Emile Durkheim’s theory of totemic religion to understand the human chemistry of his phenomenon. …”
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MADONNA’S FOUR-DECADE INFLUENCE: BRAND STRATEGY AND GLOBAL IMPACT OF THE CELEBRATION TOUR RIO DE JANEIRO
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University Students’ Perceptions of Sustainability and Ecological Footprint in the Use of Digital Leisure
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AN INTRODUCTION TO FACTORIZATION TECHNIQUE FOR BUILDING RECOMMENDATION SYSTEMS
Published 2013-06-01“…For instance, RS has been used in many areas such as in e-commerce (for online shopping), in entertainments (music/movie/video clip... recommendation), and in education (learning resource recommendation). …”
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#emergencymedicine: A TikTok Content Analysis of Emergency Medicine-related Content
Published 2024-11-01“…No significant correlation was observed between video engagement and video creators’ self-identification as a healthcare professional, use of entertainment, or use of education. A notable negative correlation was identified between video engagement and the inclusion of music. …”
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Popular Song Composition Based on Deep Learning and Neural Network
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Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió
Published 2017-01-01“…From the trajectories of two characters – one from a musical scene – in Salvador and another from Maceió, I explore the course of differentiating their positions and, thus, I design aspects of the expansion of musical entertainment circuits in the “peripheries” of these cities. …”
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Blacking Up : Une histoire du rock au prisme du blackface
Published 2013-12-01“…On the basis of an analysis of rock music, its origins and its transatlantic circulations, I will examine the racial politics of popular music and postulate a continuity of the blackface cycle. …”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
Published 2012-01-01“…This paper aims at proposing a reading of the supposedly fictional book Retrato desnatural (diários - 2004 a 2007), by Evando Nascimento, published in 2008, by observing the way through which the author, in consonance with the notion of “writable text” by Roland Barthes, entertains a dialogue with diverse artistic lan- guages (plastic arts, music, theater, cinema, literature) as well as with the western philosophy. …”
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