Jewel Spears Brooker, ed. T. S. Eliot : The Contemporary Reviews. by Bernard Brugière

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Modernism and Muddle: Religious Implications of T. S. Eliot’s Use of the Term by Anna BUDZIAK

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George Eliot and Islamic Culture by Dallel Chenni

“…Using as primary sources Eliot’s notebooks, letters, journals, book reviews and essays, the article demonstrates that Eliot’s original curiosity about Islam arose in conjunction with her keener, more sympathetic interest in Judaism, and examines whether Eliot’s reading of English and European intellectuals interested in Islamic culture had any impact on her own attitude towards Islam. …”
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Joanne Wilkes, Women Reviewing Women in Nineteenth-Century Britain The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot by Claire Bazin

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The Evolution of Woman. George Eliot’s“Woman in France: Madame de Sablé” by Barbara Pauk

“…She was a contributor to the radical Westminster Review and, from 1852–54, also its editor. The various readings of one of her essays “Woman in France: Madame de Sablé”, published anonymously in 1854, reflect the very different ways in which Eliot’s position regarding the woman question has been interpreted. …”
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“Memory and Desire”: T.S. Eliot, Reaction, Nostalgia, and Poetic Reserve in The Waste Land by Philippe Birgy

“…It considers the possible relevance such factors might have had on the composition of The Waste Land. It first reviews the state of the art and recasts the different critical positions in a historical and cultural perspective, then reflects on what passes off as the fundamental rift between the commentators of Eliot, depending on whether they prescribe a close stylistic scrutiny of Eliot’s poem or a general contextualisation as the premise of their literary assessment. …”
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Elizabeth Gaskell’s and George Eliot’s Common Interest in Two Literary Women of 17th-Century France: Madame de Sablé and Madame de Sévigné by Alain Jumeau

“…Marian Evans (comme elle s’appelait, avant d’adopter le nom de plume de George Eliot) était encore rédactrice de la Westminster Review. …”
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A Case of Recurrent Mesocolon Myxoid Liposarcoma and Review of the Literature by Amar M. Eltweri, Gianpiero Gravante, Sarah Louise Read-Jones, Sonpreet Rai, David J. Bowrey, Ian Gordon Haynes

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Efficacy of clomiphene citrate and tamoxifen on pregnancy rates in idiopathic male subfertility: A systematic review and meta-analysis by Shadi Khashaba, Shehab Khashaba, Anil Krishan, Angus Bruce, Abdullatif Almaghlouth, Jason Huang, Mahmoud Mima, Craig Niederberger

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La Westminster Review comme outil de transmission et de démocratisation de culture savante, 1824-1857 by Odile Boucher-Rivalain

“…With her contribution to the Westminster Review ending in 1857 as a result of the start of George Eliot’s career as a novelist, the heyday of the review came to an end. …”
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Trollope, Liberalism and Scripture by Hervé Picton

“…Les facteurs explicatifs sont nombreux et relèvent tant de la biographie que de l’évolution générale du climat intellectuel, avec en particulier la publication de The Origin of Species en 1859 et des Essays and Reviews en 1860. Anglican convaincu, Trollope ne devait toutefois jamais perdre la foi, contrairement à certains de ses amis libres penseurs tels que George Eliot ou G. …”
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BROOM: An International Magazine of the Arts (1921-1924) : une revue d’avant-garde américaine by Ambre Gauthier

“…The magazine, which was one of the American little reviews that gave the genre new life, purported to be a tool for defending contemporary American literature and art that nevertheless gave allocated substantial space to Europe and its innovations. …”
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Evaluating the pathological and clinical implications of errors made by an artificial intelligence colon biopsy screening tool by Simon Graham, Andrew Robinson, Shivam Bhanderi, Harriet Evans, David Snead, Naveen Sivakumar, Abhilasha Patel

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The Contemporary Critical Reception of Walter Pater: Retrospective and Proleptical Views by Geoffrey Sadock

“…By showing the shift from hostile modernism to a more open and inclusive conception of his literary persona, I explain why Pater is no longer dismissed as precieux and inconsequential by the guardians of High Culture (such as Eliot) but is recognized as an original who synthesized personal preoccupations and aesthetic/critical response to various art forms, nature, and persons. …”
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