Corps mécanique et pensée-mouvement : les marionnettes animales de la Handspring Puppet Company by Noémie Lorentz

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El Palacio de las Cortes de Madrid visto por Elías Andrés y Victoria Prego (La Transición, TVE, 1993) : un teatro para la Transición (1975-1981) by Nancy Berthier

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Maybe to blot out the voice : Vocaliser l’horreur dans quelques pièces de Pinter, Churchill et Crimp by Laetitia Pasquet

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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

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Sword of heaven by Richard Wilson

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Sword of Heaven : Political Theology in Measure for Measure by Richard Wilson

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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

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Increased Insular Connectivity and Enhanced Empathic Ability Associated with Dance/Music Training by Li Gujing, He Hui, Li Xin, Zhang Lirong, Yao Yutong, Ye Guofeng, Lu Jing, Zhou Shulin, Yang Lei, Luo Cheng, Yao Dezhong

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Effectiveness of a universal film intervention in reducing violence against children and increasing positive parenting among migrant and displaced caregivers from Myanmar: a commun... by Amanda Sim, Khaing Zar Lwin, Stephanie Eagling-Peche, G.J. Melendez-Torres, Seema Vyas, Francisco Calderon, Tawanchai Jirapramukpitak, Jamie Lachman, Sureeporn Punpuing, Andrea Gonzalez, Mary Soan, Nway Nway Oo, Ivet Castello Mitjans, Greg Tyrosvoutis, Eve Puffer

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Ce que l'« avoir-lieu » doit à l'esprit des lieux dans Lady Chatterley's Lover by Benjamin Bouche

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