Costumed doubles and avatars in Janieta Eyre’s photographic self-portraits by Valérie MORISSON

“…Exploring the fictionalizing potentialities of photography and flouting the conventions of self-portraiture, the Canadian artist stages her multiple doubles in a playful yet introspective way. The studio becomes an experimental huis-clos harbouring fantasy self-explorations. …”
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Les représentations de l’ennemi et du combat dans les dessins animés soviétiques de 1941 by David Maurice

“…The cartoons which were produced in 1941, according to the invasion of the Soviet territory by the German army, include some themes linked to the representation of the enemy and of the battle into a double perspective of military pedagogy and creation of a fantasy of victory. …”
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L’Humpur en BD : de fabuleuses frontières by Florence Plet-Nicolas

“…In 2013, Soleil productions, specialized in fantasy comics, published Les Fables de l’Humpur by Pierre Bordage (scripter) and Olivier Roman (cartoonist), adapted from Bordage’s novel (1999). …”
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A Book Review of Charming Elements in Animation Cinema by Hamid Sadeghian, , Gity Nooreddinnejad

“…This feature, in addition to the possibility of creating a fantasy universe, has a special charm that can address all age groups. …”
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Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls by Jennifer MURRAY

“…In spite of the promises of sexual and self liberation of the period, an underlying sense of emptiness, often experienced as impending danger, is perceptible and takes shape within Atwood’s stories as fantasies of violence or victimization, and appears in figures related to gothic imagery and doubleness.…”
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