Un Éros de celluloïd : l’érotisation cinématographique de Paris (1945-1975) by Frédéric Hervé

“…Consequently, in translating clichés about the city to film, directors had to break ground in terms of form more than content. …”
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EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY by E. E. Ibrayev

“…The means of research were British feature films 1930-1980-ies. Using the author's methods of analysis of the ideological content of tapes and the context of their stories, it became clear that the idea of the "burden of the white" changed not only under the influence of the current socio-political situation in the metropolis and in the world, but also to a large extent transformed under the influence of highly artistic works of British directors each of which sought to bring to the story of the "civilizing mission" own view and vision to such a feature of the existence of the British Empire. …”
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Adhesion-induced MoS2 layer transfer via in-situ TEM-nanoindentation: Effects of curvature and substrate mediated residual stress by Jhih H. Liang, Mehdi Rouhani, J. David Schall, Takaaki Sato, Christopher Muratore, Nicholas R. Glavin, Robert W. Carpick, Yeau-Ren Jeng

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Impact of Serum Prolactin and Testosterone Levels on the Clinical Parameters of Dry Eye in Pregnant Women by Samuel Kyei, Richard K. Dadzie Ephraim, Stephen Animful, Madison Adanusa, Stephen Karim Ali-Baya, Belinda Akorsah, Mabel Antwiwaa Sekyere, Kofi Asiedu

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Faire obstacle à la vérité et tromper les attentes : Hitchcock et Wilder comme on les connaît peu by Julie Michot

“…This article intends to study the numerous similarities in style and content between these two unusual films—Hitchcock deciding to mix suspense and surprise; Wilder experimenting Hitchcock’s methods—, and it also seeks to analyze the various strategies developed by the directors to manipulate their public brilliantly.…”
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De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017) by Agnès Devictor

“…It questions how directors have staged the great story of the Battle of Karbalâ to define the war and support the national mobilization between 1980 and 1988, and drew upon a Shii imaginary both narratively and formally, while other directors used references detached from any religious link. …”
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Conflits, féminité et identités diasporiques. Le pouvoir de la représentation chez Pratibha Parmar et Gurinder Chadha by Amandine Ducray

“…Ever since they started making films, British Asian female directors Pratibha Parmar and Gurinder Chadha have been aiming to better represent their community and tackle the specific concerns of women from their ethnic groups. …”
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De la porte de Brandebourg à La Havane : Wilder, Hitchcock et l’héritage révolutionnaire by Julie Michot

“…The aim of this essay is to study the devices used by both whether in their script or filming, to illustrate their vision of capitalism and communism. …”
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Charles et ses images by Anne-Marie Baron

“…From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for Emma’s grief. …”
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Le cinéma indonésien, miroir déformant d’une société en mutation by Jean-Baptiste Bing

“…Their films thus deal with subjects which especially concern this type of public. …”
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Familiarisation et dé-familiarisation : la figure de l’« étranger » dans la comédie indo-britannique by Amandine Ducray

“…Meant to make the audience laugh, these films nevertheless try to changeboth the representation and perception of British-Asian ethnic minorities as well as hose of so-called “indigenous” Britons themselves. …”
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Filiation et novum temporel : le cas d’Interstellar et d’Arrival by Simon Bréan

“…This allows the directors to build on a common experience, which is the relative persistence of memories according to the emotional intensity attached to them. …”
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El diseño gráfico de Saul Bass en el universo de Disney. by Águeda María Valverde Maestre

“…Por un lado, se analiza la forma, el contenido y las relaciones intertextuales de la secuencia de apertura de este filme, mientras que, por otro lado, se repasan las teorías vinculadas con los universos creativos de ambas compañías. …”
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