The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius by Natalia Maliutina

“…The action is organized in the form of separate numbers-scenes, often almost unrelated to each other: dialogues of characters referring to Shakespeare’s Hamlet, to Samuel Beckett’s absurdist drama Waiting for Godot, vocal and dance scenes, musical fragments, acrobatic tricks, performative methods of playing with requisites. …”
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