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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image
Published 2024-12-01“…Lynch’s cinematic outings, such as the neo-noir Lost Highway (1997), the acclaimed Hollywood fantasy Mulholland Drive (2001), and the experimental nightmare Inland Empire (2006), are all set in the heart of the film industry, in Los Angeles, and reveal his most ambitious vision yet: to examine the hierarchies of images in American pop-culture, providing a space in which dreams and nightmares routinely, yet subtly, intersect. …”
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Spectacular Bodies: Los Angeles Beach Cultures and the Making of the “California Look” (1900s-1960s)
Published 2019-12-01“…Rather than solely focusing on representations of California bodies in popular culture, as other studies have done, the article locates the origins of the California look in the social history of Los Angeles’ beaches and, in particular, their use as sites of corporeal spectacles. …”
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“The compass of possibilities”: Re-Mapping the Suburbs of Los Angeles in the Writings of D.J. Waldie
Published 2011-11-01Subjects: “…Los Angeles…”
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Los Angeles, espace augmenté révélé par un genre littéraire : l’anthologie
Published 2015-06-01“…Los Angeles has been a literary motif since its very creation and the city can be read in novels, autobiographies, journals, poems of chronicles written by authors just passing through, immigrants or natives of a place that rapidly became a culturally emblematic beacon. …”
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Ancient Bodies: Archaeological Perspectives on Mesoamerican Figurines, Los Angeles County Museum of Art (LACMA), July 1, 2017–February 4, 2018, Los Angeles County Museum of Art
Published 2018-10-01“…Ancient Bodies: Archaeological Perspectives on Mesoamerican Figurines was on view at the Los Angeles County Museum of Art (LACMA) from July 1, 2017 to February 4, 2018. …”
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Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
Published 2006-06-01“…Published in 1994, The Informers is a collection of thirteen short stories which aim to explore the various facets of a certain Los Angeles social microcosm in the nineteen-eighties.The first-person narration, based on a deliberately minimalist paratactic structure which involves recurrent snatches of dialogue, moves through an endless succession of toponyms (Palm Springs, Melrose etc.) and cultural clichés (trendy places, music or clothing) which all seem to trap people and places within an imprisoning landscape—most aptly metaphorized by the Sunset Boulevard.Both huge and confined to the specific landmarks or "non-places" of an interlope society, this landscape provides an ambivalent area in which people are cast adrift, wandering like ghosts in some kind of existential nowhere described by Michel de Certeau as "un théâtre de passants".…”
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La diplomacia cultural China. Breve acercamiento a la Iniciativa de la Franja y la Ruta
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La Imagen Aumentada a través de los dispositivos de producción visual.
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¿Existe overtourism en Santiago de Compostela? Contribuciones para un debate ya iniciado
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Apreciación de los agentes culturales y dinamizadores de movimientos sociales sobre Millán Santos
Published 2004-01-01Get full text
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Perspectivas y desafíos de la inclusión educativa en la infancia vulnerable: una exploración cualitativa
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Profiling Intangible Cultural Heritage Visitors through Multilayer Perceptron’s model
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Exploring the role of cultural values, trust and empathy on satisfaction: Research on hotel customers
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