Corps (é)conduits : La construction d’un regard-machine dans Crash (1996) et Cosmopolis (2012) de David Cronenberg by Guilhem Billaudel

“…This article attempts to observe the changing status of vehicles within the carnal, economic and affective relations displayed in the two films. Crash et Cosmopolis shall not, however, be apprehended as exceptions, neither in relation to North-American film history nor to Cronenberg’s work itself. …”
Get full text

Jòrgi Reboul, un parcours singulier vers l’occitanisme à travers l’histoire du XXe siècle by François Courtray

“…After World War II, he broke with the Félibrige to rally the Occitan wave and the IEO whilst continuing his actions in favour of teaching the Oc language, Catalans and the great fights of the 1960s- 1970. Under his leadership, the Calen soon became the cradle of the current CREO Provence.…”
Get full text