Suggested Topics within your search.
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Mocking Andromeda in Julia Constance Fletcher’s The Fantasticks (1900)
Published 2022-10-01“…This characterization perfectly describes the writer Julia Constance Fletcher (1853-1938). Her writing constitutes such production, consistently arguing that social custom inhibits women’s choices or makes it more difficult for them to lead fulfilling and meaningful lives. …”
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The synodial practices of the Council of Constance (1414-1418): Between symbol and trace
Published 2013-03-01Get full text
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Pierre Vitoux, D.H. Lawrence, Constance Chatterley : la première version de Lady Chatterley
Published 2005-12-01Get full text
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Shaping a Collective Identity through Self-Representation: Early Suffrage Autobiographies and the Militant Experience
Published 2024-03-01“…This essay aims to demonstrate the interdependent relationship between self-representation and collective identity in the militant suffrage campaign by focusing on two early suffragette autobiographies, Emmeline Pankhurst’s My Own Story and Constance Lytton’s Prisons and Prisoners. …”
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Variations morphologiques de la mandibule liées à l’édentement : le cas de la Chapelle-aux-Saints 1
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Condensed Aerosol Generators in Fire Safety of Buildings. Part 1 – Analysis of Normative and Legal Documents
Published 2024-12-01“…Keywords: firefighting, condensed aerosol generators, aerosol extinguishing kits, extinguishing agents…”
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L’autoreprésentation de femmes en conflit : les récits d’emprisonnement des suffragettes
Published 2010-09-01“…The conflict between the suffragettes and the government reached its climax in 1909 when some of the imprisoned suffragettes decided to go on hunger strike to obtain the status of political prisoners. Constance Lytton’s Prisons and Prisoners and Annie Kenney’s Memories of a Militant feature among the most interesting narratives that were written by imprisoned suffragettes.Although it should be kept in mind that Prisons and Prisoners and Memories of a Militant are subjective constructions written by dedicated activists, the two narratives provide some fundamental information on the prison conditions of the suffragettes. …”
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Comparing cultures : innovations in comparative ethnography /
Published 2020Table of Contents: “…Lowe -- The comparison of structures and the comparison of systems : Lévi-Strauss, Dumont, Luhmann / Guido Sprenger -- Regional comparison in historical anthropology : three case examples from South Arabia / Andre Gingrich -- Scaling ethnography up / Michael Schnegg -- Best, worst, and good enough : lessons learned from multi-sited comparative ethnography / Jennifer S. …”
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No Smoke without fire? Mrs Garnett and the Russian Connection
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Birmingham’s Women Poets: Aestheticism and the Daughters of Industry
Published 2011-11-01“…Yet it is seldom recognised that the aesthetic London lifestyle of these writers was in key instances only made possible by family fortunes amassed through the industrial expansion of Birmingham and its surrounding conurbation. …”
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Alienation, Adoption or Adaptation? Aestheticist Paintings by Women
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Forecasting the COVID-19 Diffusion in Italy and the Related Occupancy of Intensive Care Units
Published 2021-01-01“…While those regions hit the most by the pandemic have been kept separated, those less affected regions have been aggregated into homogeneous macroareas. …”
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Medical Assistance in Dying for Persons Suffering Solely from Mental Illness in Canada
Published 2025-01-01“…Canada,” Constitutional Law, 2015, https://scc-csc.lexum.com/scc-csc/scc-csc/en/item/14637/index.do.; Kotalik and Shannon, Medical Assistance in Dying (MAID) in Canada Key Multidisciplinary Perspectives…”
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Noms, étiquette(s) et identités dans Persuasion, de Jane Austen
Published 2014-06-01“…Labelled a ‘nobody’ at the beginning even though she embodies sense, constancy and fortitude, Anne Elliot is reborn as a heroine through her ability to read and decipher meanings, manners and behaviours: her new status and identity are then aptly signified by a telling mutation of the signifier after her marriage, freeing her from the sterile codes of the paternal narrative.…”
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