Qui s’assoit où ? by Claude Forest

“…The observation and the analysis of the spectators’ behavior entering a cinema, choosing their places then releasing them at the end of the meeting, made possible to highlight many common characteristics. …”
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Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano by Carmen Laura Paz Reverol, María Dolores Fuentes Bajo

“…The goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. …”
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New museographic frontiers. Immateriality and multimediality of the narrative museum by Giuseppe Di Benedetto

“…This is an articulated path that crosses the boundaries of various disciplines such as theatre, cinema and visual art.…”
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Visiones cinematográficas del turismo costero: el punto de vista de los excluidos (El verdugo -1963-, Justino un asesino de la tercera edad -1994-, Barrio -1999-) by Nancy Berthier

“…The careful examination of three Spanish films from a sharp focus on the representation of what means coastal tourism for those who can't enjoy it, reveals beyond its undoubted differences, the permanence of a reflection on the national cinema, a reflection on exclusion. In Western consumer societies, where tourism becomes economically possible only after solving the priority expenses of daily living (food, shelter, clothing), it appears to be what causes most people sociocultural difference in their lifestyle.…”
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The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke by Alper Keleş

“…The methodology used is determined by creating a common research area in both fields with the help of the concepts of cinema and literature, as emphasized in the theories of intermediality. …”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni by Anna Chiara Luzzi

“…In the early 20th century cinema considerably pervaded the cultural field, and mingling with literature it created artistic hybrids, a trend that would continue throughout the century. …”
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Uzak, or the unbearable lightness of the ordinary by Andrea Pavoni

“…The third section makes an argument for the capacity of cinema to do so, mainly drawing from the work of Gilles Deleuze and Lauren Berlant. …”
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Lizzy: understanding attachment and loss in young people with complex needs by Edwina Grant, Mary McFarlane, Rita Crawford

“…She enjoys going out and about, be it to the cinema, shopping trips, ten-pin bowling or for something to eat. …”

Le théâtre, un « appareil originaire » ? by Sophie-Aurore Roussel

“…Alors que la perspective semble jouer un rôle fondamental dans la notion de représentation théâtrale, cet article s’attache à montrer que le théâtre est en fait un appareil originaire, fondé sur l’analogie, qui prépare les appareils ultérieurs de type projectif, que sont la perspective et le cinéma. L’étude se fonde sur la tragédie antique et sur ses résurgences dans le théâtre contemporain, analysées comme « acte théâtral » (préférable à « représentation », terme trop lié justement à la perspective) et non comme texte, ce qui oblige à sortir du cadre aristotélicien.…”
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant by Delphine Letort

“…Not only did it support the emergence of black cinema by opening up filmmaking to black crews, but it also broached taboo subjects while depicting black sexuality (miscegenation) and police brutality. …”
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Miradas sobre lo "queer": Cine y representación by Gerónimo Iván García Calderón

“…Por otro lado, se exploran los márgenes de cómo está constituida la visión cinematográfica comercial, para evidenciar que el llamado “cinema queer” no es más que la reproducción de una cierta idea de homosexualidad impuesta y distribuida en nuestra cultura por la industria cultural hegemónica estadounidense.…”
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Kış Uykusu’nu Kant ve Nietzsche Etiği Çerçevesinde Düşünmek by Hatice Sevgi ZENGİN

“…Bu makalenin amacı felsefi altyapı ile film analizi yaparak sinema ile etik ilişkisini göstermektir. Sinema içinden ahlaki sorular sorularak estetik rejimin içinden ahlaki rejim okunmaya çalışılmıştır. …”
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Parameterization of the Stomatal Component of the DO3SE Model for Mediterranean Evergreen Broadleaf Species by Roccío Alonso, Susana Elvira, María J. Sanz, Lisa Emberson, Benjamín S. Gimeno

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Atmospheric corrosion of carbon and galvanized steel under high rainfall conditions by Ariel Arroyo Heredia, Hector David Agudelo Arias, Maycol F. Mena, Elcy Serna Copete, F.A. Vásquez, Nerly Liliana Mosquera, Edison Banguero Palacios, Reiner Palomino Lemus, J.A. Calderón, Samir Córdoba Machado

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De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov by Laure de Nervaux-Gavoty

“…References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. …”
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La Patinoire de Jean-Philippe Toussaint au miroir de La ricotta de Pier Paolo Pasolini : convergences divergentes dans une chambre d’échos by Margareth Amatulli

“…A catoptric anamorphosis connects the two cinematic works, and the contrasting dialectic that drives the Pasolinian short film allows for a deeper reading of Toussaint’s film. …”
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Ọ̀rọ̀ Lẹyẹ ń Gbọ́! A Deserving Tribute to Alàgbà Adébáyọ̀Mosọbalájé Ajíbádé Àkàndé Fálétí (Ọdẹ Àdàbà) by Félix Ayoh’Omidire

“…On the whole, Adébáyọ Fálétí was recognized as a singular man of culture ̀ whose imprints in the sand of the Yorùbá cultural terrain have forever become indelible, thanks to his intense dedication to the promotion of the Yorùbá “ọmọlúàbí” cultural ethos and the use of his God-given talents to promote Yorùbá history, poetry, orature, cinema and the Arts in general. …”
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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp by Aloysia Rousseau

“…Music is not illustrative but arouses on the contrary an “anempathetic” effect, an expression coined by Michel Chion in his book La Musique au cinéma. Martin Crimp exploits this anempathetic strategy in plays such as Play with Repeats (1990), The Treatment (1993) or more recently the triptych Fewer Emergencies (2005) in which violent events are narrated with a boogie-woogie playing in the background. …”
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Nancy w Krainie Wieprzy. Kilka uwag o "Co?" Romana Polańskiego i recepcji filmu we Włoszech by Katarzyna Skórska

“…Despite not very favorable general reception immediately after the premiere and later in time, the film was appreciated by Italian critics who admired its intertextual values, self-citations and references to Italian cinema, such as ironic allusions to commedia all’italiana, or Federico Fellini’s works and oneiric atmosphere. …”
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Introduction #6 by Julie Abbou, Aron Arnold, Sophie Bailly, Maria Candea, Mona Gérardin-Laverge, Magali Guaresi, Noémie Marignier

“…is a varia issue with a strong topical coherence: in the "Research" section, the articles explore forms of feminist and queer artistic and cultural resistance in different contexts (North America, Latin America, Europe, Africa) involving various means of expression (cinema, literature, visual arts). The "Creations" section, which provides two original literary works, playing in a feminist and subversive way with and about the language, echoes these scientific articles in a beautiful way. …”
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