Recent Progress and Perspectives on Functional Materials and Technologies for Renewable Hydrogen Production by Mona Lisa M. Oliveira, Camila M. A. C. Alves, Carla F. Andrade, Diana C. S. de Azevedo, Fernanda L. Lobo, Araceli Fuerte, Paloma Ferreira-Aparicio, Concepción Caravaca, Rita X. Valenzuela

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Hatırlama ve Unutma Diyalektiği Bağlamında Ulak Filminin Değerlendirilmesi by Nur Efşan Norşenli

“…Sinema toplumların geçmişle ilişkilerinde önemli bir yere sahiptir. …”
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O útero, uma criação para o mal by Iuri Furini Lopes da Silva, Evelane Mendonça de Oliveira, Gleudson Passos Cardoso

“… Este artigo apresenta uma análise fílmica-historiográfica das mulheres no cinema, em enfoque na indústria de terror, com o filme Hereditário. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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Una nueva estrategia integral para modelar materiales urbanos para ciudades térmicamente habitables. Un caso de estudio en Madrid = A new integrated strategy for modelling urban ma... by Emanuela Giancola, Helena López, Silvia Soutullo, M. Nuria Sánchez, Luis F. Zarzalejo, Ana Gamarra, Israel Herrera, J. Antonio Ferrer, Emanuele Naboni

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Luchino Visconti’nin (Yeni) Gerçekçi Tutku’su by Aslı Ekici

“…Sinemasal anlatılarda çoğunlukla erkeklerin hikâyelerine yer verilmekte kadın karakterler ikinci planda kalmaktadır. …”
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Salas de cine en Bogotá (1897-1940): la arquitectura como símbolo de modernización del espacio urbano by Andrés Avila Gómez, Alfredo Montaño Bello

“…Movie theaters, known simply as theaters or cinemas in Bogotá, represent an exceptional case among those facilities made for leisure that were built in Latin American capitals during the first half of the twentieth century. …”
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Parabole d’un ‘éternel retour’ ou voyage vers une post-humanité ? by Orlane Glises de la Rivière

“…Clarke’s novel, Kubrick’s film paved the way for the space opera genre in cinema. Made in 1968, the film poses a Nietzschean-style question about the evolution of humanity from both a philosophical and technological point of view. …”
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IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS) by S. I. Belov

“…The presented research is devoted to the mapping of Russia and Russians in the Polish historical cinema in the XX – early XXI centuries. The aim of the work is to assess the positioning of Russia and the Russians in Polish historical films. …”
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Determination of Selected Polycyclic Aromatic Compounds in Particulate Matter Samples with Low Mass Loading: An Approach to Test Method Accuracy by Susana García-Alonso, Rosa María Pérez-Pastor, Víctor Archilla-Prat, David Sanz-Rivera, Enrique Rojas-García, Gaizka Aragón-Urrengoetxea, Jesús Javier Rodríguez-Maroto

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Sino-noir of Serial Killers and Dismemberments by Sheng-mei Ma

“…In the 8-episode TV series, Why Try to Change Me Now, director Zhang Dalei adapts Shuang’s novella told from multiple perspectives into a tour de force in slow cinema, drawing from cinema verité with non-professional actors, natural lighting and sound, an almost stationary camera, and minimalist acting. …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Limitations: It is beyond the scope of this study to fully address the impact of the rise of streaming services on the cinema box office or the market for non-English-language films in the US. …”
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Formation of the creative potential of students of the of vuz (institute of higher education) of cultural by Vera A. Кurina, Elena G. Protsenko

“…The paper presents one of the possible solutions to this problem on the example of the methodology of classes on the developed course in the discipline "History of arts: history of cinema" with students of the University of culture of the direction of training 51.03.03 Socio-cultural activities. …”
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İRAN YENİ DALGA SİNEMASINDA VAROLUŞSAL TEMALAR VE YÖNELİMLER by Mustafa Sözen

“…Yeni İran Sineması olarak adlandırılan sinema, günümüz dünyası sinema alanında önemli ve farklıbir nitelik olarak değerlendirilmektedir. …”
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Türk Sinemasında Muhasebe Mesleğinin Sunumu by Özge Özkan, Arif Gümüş

“…Müzik, edebiyat, resim, heykel gibi sinema da bir sanat dalıdır. Sinema, sanat dallarının içerisine sanayi devrimi ile girmiştir. …”
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W poszukiwaniu indywidualnego ciała: fotografia, detektywi i początki kina by Tom Gunning

“…Tekst jest tłumaczeniem rozdziału (Tracing the Individual Body: Photography, Detectives, and Early Cinema) z książki Cinema and the Invention of Modern Life, red. …”
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Maximizing Research on Long COVID using FHIR and OMOP by Eugenia RINALDI, Lorenzo CANZIANI, Salvatore CAUTADELLA, Chiara DELLACASA, Anna GORSKA, Juan Mata NARANJO, Thomas OSMO, Miroslav PUSKARIC, Elisa ROSSI, Sylvia THUN

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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов by Kristina Vorontsova

“…The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds).…”
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Un esercizio di biografia. Alicia Alanova tra danza d’arte e spettacolo commerciale (1919-1945) by Giulia Taddeo

“…Starting from the finding, at the Enrico Prampolini Archive, of documentation relating to the Ballets Alanova (1945), the essay reconstructs a part of the personal and professional biography of Alicia Alanova, a dancer and choreographer of Scottish origin who, between the 1920s and 1940s, crossed very different artistic fields: the Ballets Russes company, revues and cabarets, modern dance concerts, cinema.…”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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