“I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. by Matthew Carter

“…This article explores the extent to which the “contemporary” border Western, The Three Burials of Melquiades Estrada (2005),challenges Hollywood’s cinematic hegemony in this regard. It argues that with Three Burials comes a sophisticated challenge to the cinema’s characteristic and mythic forms and to the racial assumptions that have traditionally bedevilled relations between Mexico and the USA. …”
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The Postfeminist Masquerade and the Cynical Male Gaze: The Disavowal of Sexual Difference in Lars von Trier’s Breaking the Waves by Tamas NAGYPAL

“…In a cynical move which undermines the postfeminist association of irony with freedom, the director equates Bess’s belief in God with her acting for the gaze of his camera, betraying his skepticism about a feminine subject not captured by the cinema’s patriarchal apparatus.…”
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Police/Militia in (Post-)Soviet Popular Culture (Towards a Historical Iconography of Power) by D. V. Popov

“…This constructivist cinema involved the viewer in the cinematic reality by likening them to the main character, a militiaman who acts as a moral guide. …”
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Foule et public by Emmanuel Plasseraud

“…It had many interpretations, which we can find again in cinema writtings. For those who fight against cinema, crowd can be seen as Gustave Le Bon describes it in its popularization of crowd psychology. …”
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Mental Nerve Paraesthesia: A Report of Two Cases Associated with Endodontic Etiology by Neeta Patel, Akshayraj Langaliya, Shikha Kanodia, Aravind Kumbhar, Aastha Buch, Aarshvi Shah, Himani Bhatt, Drashti Panchal, Sharan Shah, Jinali Shah

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A Critical Review on the Book The Fantasy Film by Ali Khorashadi, Mohammad Shahba

“…Although the first so-called fantasy works date back to the early years of cinema and the works of George Millis, by the late 1970s, for many reasons, including the relatively high cost of producing such works and the lack of progress in cinematic technology, fewer fantasy works appeared in cinema. …”
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Perception urbaine, distraction et stratification chez Benjamin, Eisenstein et Vertov by Pascal Rousse

“…La ville à l’écran est le substrat imaginaire et historique du cinéma. Mais le cinéma, burlesque et soviétique, transforme ce contexte tout en constituant sa mémoire. …”
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Insights on film and TV series analysis in sociology in times of digital media spread by Túlio Rossi

“…So, it is presented an analytical reflection that places together connectivity and cinematic culture in order to comprehend how today’s ideologies are partly influenced by specific recurrent imagistic constructions diffused by streaming platforms by using cinema and television languages.   …”
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Screen, Screen on the Wall: The Cinephile Experiences of Attilio, Bernardo, and Giuseppe Bertolucci by Carlo Ugolotti

“…Il saggio analizza l'esperienza di una famiglia “illustre” di frequentatori di cinema: i Bertolucci, composta dal padre e poeta Attilio e dai figli Bernardo e Giuseppe, entrambi registi. …”
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ENTERTAINMENT VIOLENCE IN THE LEISURE OF STUDENT YOUTHS by M. I. Zhabskiy, К. A. Tarasov

“…The current bursts of violence in the Russian comprehensive school actualize the issues of the place held by entertainment violence in the cinematic leisure of the learning youth, and of the possibility of its stimulating the aggressive behavior in their midst. …”
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Voiler et dévoiler : temps et illusion dans Alumbramiento de Víctor Erice by Miguel Rodrigo

“…In a very fertile tension, Erice's cinema integrates this reflexive dimension into stories that do not question the conventions of traditional cinema: the construction of the plot and the characters aims to recreate a "plausible" temporality, a framework more or less comparable to the daily experience that the spectator has of time. …”
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Écran magique et prégnance du hors champ : l’art du cadrage dans « Mrs Bathurst » de Kipling by Élodie Raimbault

“…The Bathurst « case » remains mysterious despite numerous explanatory attempts by critics, be they Charles Carrington or Philip Mason ; even an inquest such as Nora Crook’s fails to reveal the final truth about this story.« Mrs Bathurst » must certainly be seen rather as an experience on the narrative mode of the cinema. Philip French noted that it uses writing devices adapted from the cinema. …”
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O audiovisual imersivo nas obras de arte “The Visitor” e “Figuras na Paisagem”: processos poéticos de criação a partir da evolução do aparato visual by Silas Seabra de Sousa

“… Este artigo analisa a expansão do cinema por meio da imersão e interatividade em espaços expositivos, como museus e galerias, focando na evolução dos aparatos de mediação impulsionada pelo avanço da tecnologia digital. …”
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A Critical Analysis of “A Short Guide to Writing about Film” by ali sheikhmehdi, Arsalan Moghadas

“…To achieve this goal, the author focuses on defining the terminology and professional concepts of cinema as well as movie analysis approaches. For analysis and critique, it is necessary to have a theoretical plan to carefully analyze the movies, but the described approaches in this book, are not the main movie analysis approaches, and for instance, approaches like formalism and ideology lack a theoretical basis. …”
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Особенности поэтики киноромана: проблема перекодирования текста by Natalia Maslenkowa

“…This seems to become even more interesting considering the fact that cinema is a synthetic art form, where the patterns which affect all the senses of perception are used to create the audio-visual image. …”
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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…A self-taught filmmaker working with very low budgets, fascinated with Hollywood’s glamor as well as exploitation and underground cinema, John Waters has appropriated techniques and modes of production, distribution and promotion specific to exploitation from the beginning of his career in the late 1960s. …”
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A comparative study of the concept of time in The Blind Owl and its film adaptation based on the viewpoints of Henri Bergson and Gilles Deleuze by Ghazaleh Heydari Abkenar, Asgar Salahi, Hassan Akbari Beyragh

“…: One of the common elements between literature and cinema is the subject of time, for which two characteristic features are observed; quantitative time, which is objective and qualitative time, which has a mental existence. …”
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Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion by Florent Christol

“…For what is the Carol if not a text about a character’s personal cinematic experience? The tale contains ‘techniques’ that would only be developed in cinema, as if Dickens was writing a story to be told by a medium not yet available in the Victorian age. …”
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Exploitation Feminism: Trashiness, Lo-Fidelity and Utopia in She-Devils on Wheels and Blood Orgy of the Leather Girls by Kristina Pia Hofer

“…From the mid-1960s onwards, American exploitation cinema has spawned a number of Girl Gang movies whose potential for challenging androcentric and heteronormative modes of representation have been hotly disputed by fans and academics alike. …”
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Prominence of Genre A Study of the Book of Film Genre: Hollywood and Beyond by Hamed Fardar, Masoud Soflaei ShahreBabak

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