Main marketing trends in the Russian cinema market in the current realities by O. V. Zhuravleva, A. S. Lobacheva

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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

Subjects: “…cinema…”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Arguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil. …”
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Kinematic Selection Criteria in the Search for Resonances by B. B. Levchenko

“…In this paper, we discuss some general features of two-body decay kinematics and derive a new set of equations describing boundaries of the physical region in decays. …”
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On the Direct Kinematics Problem of Parallel Mechanisms by Arthur Seibel, Stefan Schulz, Josef Schlattmann

“…The direct kinematics problem of parallel mechanisms, that is, determining the pose of the manipulator platform from the linear actuators’ lengths, is, in general, uniquely not solvable. …”
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STUDY ON KINEMATIC ANALYSIS OF CHAIN TRANSMISSIONS by Sabin Cristinel DIMULESCU, M. WETTERNEK

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Kinematics of auto variator drive machines by P. D. Balakin, V. N. Belkov, A. V. Borodin

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Dallying along the Way: Virginia Woolf at the Crossroads of Cinema and Literary Creation by Adèle Cassigneul

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Cinéma et urbanité à Tunis sous le protectorat français by Morgan Corriou

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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

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Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

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Hugo vs The Artist ? Retour du cinéma muet à Hollywood by Clémentine Tholas-Disset

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Vicente Blasco Ibáñez et le cinéma français, 1914-1918 by Évelyne Coutel

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Il cinema come codice visuale (traduzione di Alice Bravin) by Marija Kuvšinova

Subjects: “…Cinema…”
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Histoire, mémoire et fiction dans le cinéma américain contemporain by Elie Yazbek

“…The relation between cinema and history, between the past as we know it and its representation on the screen is a fascinating subject. …”
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„Cogito ergo video”. Wprowadzenie do „Histoire(s) du cinéma” Godarda by Aleksandra Hirszfeld

“… Analizując Histoire(s) du cinéma autorka stawia hipotezę dotyczącą nowej roli autoreferencji, roli, która ujawnia się właśnie w - zapomnianym dziś nieco (zwłaszcza w Polsce) - dziele Godarda. …”
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poum et cinéma: entre art et Révolution (1936-1937) by Cindy Coignard

Subjects: “…cinema…”
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Atelier : La part de fiction dans le cinéma documentaire

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Metamorfoses do cinema brasileiro na era da mundialização neoliberal: em busca de uma identidade estética? by Jorge Nóvoa

Subjects: “…brazilian cinema…”
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CINEMATICAL ANALYSIS OF THE PRE-TAKING AND PRE-COMPACTING MECHANISMS OF SOME GARBAGE TRUCKS by GHEORGHE VOICU, MIRCEA LAZEA, BIANCA-STEFANIA ZABAVA, PAULA TUDOR, VICTOR MOISE

“… The paper presents several constructive variants of power systems and makes a comparative analysis of them, both constructively and functionally. The kinematic analysis of a bar and lever mechanism is also realized, which is used in a wide range of compaction by translation. …”
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