Tür Filmi Olarak Melodramların ve Tv Programlarının Reklam Filmi Yaratıcı ve Yapım Sürecine Etkisi Üzerine Bir Değerlendirme by Aydın Özgür

“…Sinema filmleri, televizyon programları ve reklam filmleri temel anlatım aracı olarak görüntü, ses ve hareket öğesini ortak kullanmalarına rağmen, yapım amaçları, anlatım teknikleri ve özellikleri açısından farklılıklar göstermektedir. …”
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Validating Analytical Protocols to Determine Selected Pesticides and PCBs Using Routine Samples by Oscar Pindado Jiménez, Susana García Alonso, Rosa María Pérez Pastor

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Questions of Empowerment in Zulu Love Letter and Yesterday by Penny Starfield

“…Le cinéma sud-africain traite rarement de la condition des femmes. …”
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Assessment of the possibility of irradiating tungsten and Cu-alloys in IFMIF-DONES using a realistic specimens configuration by Irene Álvarez, Marta Anguiano, Fernando Mota, Rebeca Hernández, David Sosa, Fabio Moro, Simone Noce, Yuefeng Qiu, Jin Hun Park, Frederik Arbeiter, Iole Palermo

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Les théâtres à ciel ouvert de Ouagadougou by Karolina Svobodova

“…Thanks to major festivals in the fields of cinema (Fespaco), handicrafts (SIAO) and theatre (Les Récréâtrales), it attracts artists, experts, and tourists every year. …”
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Sanal Gerçeklik, Hakikat Kavramının Dönüşümü ve Popüler Kültürdeki Yansımaları by Ebru Ağaoğlu Ercan

“…Makale, popüler sinema ürünlerinde hakikatin peşinde koşma refleksinin, giderek hakikatten kaçma eğilimine dönüştüğünü göstermeyi hedeflemiştir. …”
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Qui s’assoit où ? by Claude Forest

“…The observation and the analysis of the spectators’ behavior entering a cinema, choosing their places then releasing them at the end of the meeting, made possible to highlight many common characteristics. …”
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New museographic frontiers. Immateriality and multimediality of the narrative museum by Giuseppe Di Benedetto

“…This is an articulated path that crosses the boundaries of various disciplines such as theatre, cinema and visual art.…”
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Visiones cinematográficas del turismo costero: el punto de vista de los excluidos (El verdugo -1963-, Justino un asesino de la tercera edad -1994-, Barrio -1999-) by Nancy Berthier

“…The careful examination of three Spanish films from a sharp focus on the representation of what means coastal tourism for those who can't enjoy it, reveals beyond its undoubted differences, the permanence of a reflection on the national cinema, a reflection on exclusion. In Western consumer societies, where tourism becomes economically possible only after solving the priority expenses of daily living (food, shelter, clothing), it appears to be what causes most people sociocultural difference in their lifestyle.…”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni by Anna Chiara Luzzi

“…In the early 20th century cinema considerably pervaded the cultural field, and mingling with literature it created artistic hybrids, a trend that would continue throughout the century. …”
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Miradas sobre lo "queer": Cine y representación by Gerónimo Iván García Calderón

“…Por otro lado, se exploran los márgenes de cómo está constituida la visión cinematográfica comercial, para evidenciar que el llamado “cinema queer” no es más que la reproducción de una cierta idea de homosexualidad impuesta y distribuida en nuestra cultura por la industria cultural hegemónica estadounidense.…”
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Kış Uykusu’nu Kant ve Nietzsche Etiği Çerçevesinde Düşünmek by Hatice Sevgi ZENGİN

“…Bu makalenin amacı felsefi altyapı ile film analizi yaparak sinema ile etik ilişkisini göstermektir. Sinema içinden ahlaki sorular sorularak estetik rejimin içinden ahlaki rejim okunmaya çalışılmıştır. …”
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Parameterization of the Stomatal Component of the DO3SE Model for Mediterranean Evergreen Broadleaf Species by Roccío Alonso, Susana Elvira, María J. Sanz, Lisa Emberson, Benjamín S. Gimeno

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De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov by Laure de Nervaux-Gavoty

“…References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. …”
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Ọ̀rọ̀ Lẹyẹ ń Gbọ́! A Deserving Tribute to Alàgbà Adébáyọ̀Mosọbalájé Ajíbádé Àkàndé Fálétí (Ọdẹ Àdàbà) by Félix Ayoh’Omidire

“…On the whole, Adébáyọ Fálétí was recognized as a singular man of culture ̀ whose imprints in the sand of the Yorùbá cultural terrain have forever become indelible, thanks to his intense dedication to the promotion of the Yorùbá “ọmọlúàbí” cultural ethos and the use of his God-given talents to promote Yorùbá history, poetry, orature, cinema and the Arts in general. …”
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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp by Aloysia Rousseau

“…Music is not illustrative but arouses on the contrary an “anempathetic” effect, an expression coined by Michel Chion in his book La Musique au cinéma. Martin Crimp exploits this anempathetic strategy in plays such as Play with Repeats (1990), The Treatment (1993) or more recently the triptych Fewer Emergencies (2005) in which violent events are narrated with a boogie-woogie playing in the background. …”
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Introduction #6 by Julie Abbou, Aron Arnold, Sophie Bailly, Maria Candea, Mona Gérardin-Laverge, Magali Guaresi, Noémie Marignier

“…is a varia issue with a strong topical coherence: in the "Research" section, the articles explore forms of feminist and queer artistic and cultural resistance in different contexts (North America, Latin America, Europe, Africa) involving various means of expression (cinema, literature, visual arts). The "Creations" section, which provides two original literary works, playing in a feminist and subversive way with and about the language, echoes these scientific articles in a beautiful way. …”
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Comments on media trends in South Africa based on AMPS 1976-1980 by Thomas Oosthuizen

“…This trend is observed in daily newspaper reading (although there was a slight decrease for blacks in the last year), radio listening, television viewing and cinema attendance, even though it is slight in instances. …”
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Biopolitics of the Zombie Corpses: Collectivity, Contagion, and Alterity by Onur Kartal

“…In this article, I claim that the zombie figures in cinema bear a positive potential for the social life of humanity, and I will define this potential as a new opportunity for meeting the absolute alterity. …”
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THE TURKISH-GERMAN AFFAIR IN FILMS: A DREAMWORLD OR A NETHERWORLD? by Ayça Tunç Cox

“…Therefore, focusing on these cinematic texts should reveal alternative modes of reading the enduring Turkish-German affair. …”
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