FOTO CINEMA FILM (traduzione di Martina Mecco) by Karel Teige

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Old Concepts, New Contents: The City, Cinema and the Stranger by Sertaç Timur Demir

Subjects: “…sinema…”
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The attitude of Moscow youth to the topic of patriotism in domestic cinema by O. A. Kulikova, A. S. Ryabovicheva

Subjects: “…cinema…”
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Investigation of the digital technologies influence on the process transformation in cinema by Yu. V. Vorontsova, D. N. Koltsov

“…Digital technologies have become a powerful and accessible tool that allows non-professional artists/directors to enter the cinematic space. However, for the author’s cinema, digital technologies have only become a tool to improve picture quality, as well as expand the capabilities for the artist / director to bring their ideas to life on screen.…”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

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Comparative analysis of family values in Iranian and Russian cinema by M. I. Kosinova, T. Solgi

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The Mechanics of Fear: Organic Haunted Houses in American Cinema by Anne-Marie Paquet-Deyris

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Self-Sacrifice of a Scientist in Soviet-Russian Cinema by S. M. Medvedeva

Subjects: “…cinema…”
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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema by Conall Cash

“…Through a discussion of two key American films of the 1940s and 1950s – Alfred Hitchcock's Shadow of a Doubt (1943) and John Ford's The Searchers (1956) – this article situates the breakdown of classical cinema, or what Gilles Deleuze calls the “crisis of the action-image”, in relation to the critique of whiteness and the family. …”
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Cinema e pittura (traduzione di Tamara Đokić) by Vladimir Petrić

Subjects: “…Cinema…”
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“Minority Voices and Languages in English-Speaking Cinema and Television” by Nathan Buisson, Eloïse Dentreuil

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The Impact of Cinema and Film Screening Places on Improving the Art Cinema Market and Cultural Promotion of Urban Spaces (Case Study: District 6 of Tehran) by Farzin Nematbakhsh Abkenar, Mansoureh Aligholi, Hossein Safarzadeh, Seyed Kamran Nourbakhsh

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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky by Gabriele

“…Cinéma & Cie…”
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Aller au cinéma pour apprendre à être « moderne » ? by Anne Kerlan

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Gilles Menegaldo (ed.)., Tim Burton: A Cinema of Transformations by Sophie Mantrant

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Elsewhere from an American Perspective: Foreign Places in American Cinema by Costanza Salvi

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Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression by Floriane Reviron

“…Just as Bloomsbury introduced post-impressionism in Great Britain, the cinema was beginning to emerge as a new art, introducing new visual vocabularies and perceptions. …”
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Nancy Berthier (dir.), Le cinéma d´Alejandro Amenábar by Ana Recalde Delgado

Subjects: “…cinéma…”
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EXPORT-IMPORT RELATIONS OF SOVIET CINEMA DURING THE YEARS OF «STAGNATION» by M. Kosinova

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