Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought by Steila Daniela

“…Sergei Eisenstein deems that cinema is ‘an excellent instrument of perception … for the sensation of movement’. …”
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Password Based Circuit Breaker by Asiimwe Johnso

“…This project focuses on the safety of the lineman while working, so they do not feel the sudden electric shocks. …”
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Pass Word Based Circuit Breaker. by Asiimwe, Johnson

“…This project focuses on the safety of the lineman while working, so they do not feel the sudden electric shocks. …”
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Approaching a National Film History through Data. Network Analysis in German Film History by Malte Hagener, Theresa Blaschke

“…The present paper is an attempt at importing network analysis as a method and applying it to a field that has hitherto been examined in different ways: the study of national cinema. The approach was motivated by the perceived conundrum in the existing studies of German cinema that filmhistorical and political history usually do not match. …”
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Cluster approach in the film industry by M. I. Kosinova, A. A. Gorshkova

“…The models of regional cinema development in Russia are analysed. The analysis of the prerequisites for the creation of film clusters in the Russian regions is carried out. …”
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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…Topsy Turvy is moreover a reflection on creation in which Mike Leigh subverts a certain number of codes of heritage cinema.…”
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Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…This study presents key film works of Slovak cinema in the context of its development from the establishment of the independent Slovak Republic to the present day, with an emphasis on the increasingly prevalent inclination of Slovak filmmakers towards so-called genre film. …”
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Nowa historia filmu jako archeologia mediów by Thomas Elsaesser

“…Tekst jest tłumaczeniem artykułu Thomasa Elsaessera The New Film History as Media Archaeology, który w oryginale ukazał się w czasopiśmie „Cinémas” (2004, t. 14, nr 2-3, s. 75-117). © 2004 by „Cinémas”. …”
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Filming Up: Brazilian Elites Through an Ethnographic Lens by Alex Vailati, Walter Andrade

“…Considering the category of production infrastructure, we will then focus on the cinema scene in the city of Recife (Brazil), underlining how it enables the production of documentaries that focus on elites. …”
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A Digital Archaeology of Early Hispanic Film Culture: Film Magazines and the Male Fan Reader by Anna Torres-Cacoullos, Elizaveta Senatorova

“…As a sociologically-oriented study, this project contributes to an archaeology of cinema fandom broadly, and early Spanish fan culture specifically, by spotlighting male readers of popular film magazines. …”
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Recent Progress and Perspectives on Functional Materials and Technologies for Renewable Hydrogen Production by Mona Lisa M. Oliveira, Camila M. A. C. Alves, Carla F. Andrade, Diana C. S. de Azevedo, Fernanda L. Lobo, Araceli Fuerte, Paloma Ferreira-Aparicio, Concepción Caravaca, Rita X. Valenzuela

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O útero, uma criação para o mal by Iuri Furini Lopes da Silva, Evelane Mendonça de Oliveira, Gleudson Passos Cardoso

“… Este artigo apresenta uma análise fílmica-historiográfica das mulheres no cinema, em enfoque na indústria de terror, com o filme Hereditário. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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Una nueva estrategia integral para modelar materiales urbanos para ciudades térmicamente habitables. Un caso de estudio en Madrid = A new integrated strategy for modelling urban ma... by Emanuela Giancola, Helena López, Silvia Soutullo, M. Nuria Sánchez, Luis F. Zarzalejo, Ana Gamarra, Israel Herrera, J. Antonio Ferrer, Emanuele Naboni

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IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS) by S. I. Belov

“…The presented research is devoted to the mapping of Russia and Russians in the Polish historical cinema in the XX – early XXI centuries. The aim of the work is to assess the positioning of Russia and the Russians in Polish historical films. …”
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Determination of Selected Polycyclic Aromatic Compounds in Particulate Matter Samples with Low Mass Loading: An Approach to Test Method Accuracy by Susana García-Alonso, Rosa María Pérez-Pastor, Víctor Archilla-Prat, David Sanz-Rivera, Enrique Rojas-García, Gaizka Aragón-Urrengoetxea, Jesús Javier Rodríguez-Maroto

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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Limitations: It is beyond the scope of this study to fully address the impact of the rise of streaming services on the cinema box office or the market for non-English-language films in the US. …”
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W poszukiwaniu indywidualnego ciała: fotografia, detektywi i początki kina by Tom Gunning

“…Tekst jest tłumaczeniem rozdziału (Tracing the Individual Body: Photography, Detectives, and Early Cinema) z książki Cinema and the Invention of Modern Life, red. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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The Possibilistic Mean-Variance Model with Uncertain Possibility Distributions by Furkan Göktaş

“…We also show that this minimax optimization problem reduces to a strictly convex minimization problem. …”
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