Review of Méliès to 3D: the Cinema Machine exhibition at the Cinémathèque de Paris (October 5th-January 29th, 2017) by David Lipson

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Application of Dual Source Mono+Combined with Cinematic Rendering in Cirrhosis Portal Vein Imaging by Xiamin LI, Xiaoying HUANG, Zhifei LI, Fangkai GUO, Pengchao WANG, Chunhui SHAN

“…Conclusion: The dual source CT Mono+technique can improve the image quality of cirrhosis portal vein CT with cinematic rendering.…”
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Dissociative identity disorder (did) of marc Spector in marvel cinematic universe’s show ‘moon knight’: a psycholinguistic analysis by Fitria Aprilia

“…The data of this study were obtained from a Marvel Cinematic Universe’s show Moon Knight. The techniques for collecting data were by watching every episode of the show, taking notes, classifying the data, doing interpretation, and drawing conclusion. …”
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The Philosophical Aspect of the Spatial-Temporal Rhythms of the Social Space of the City in the Documentary: Using the Example of Dziga Vertov’s Screen Chronotope by Julia A. Kirsanova, Irina K. Cherkasova

“…Time, space and rhythm are important elements of the narrative and dynamism of the specifics of the cinematic experience. The on-screen chronotope is implemented in various specific techniques to immerse viewers in time intervals and multiple spaces, creating the illusion of continuous time. …”
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Ein Leben für den Fels: Den Körper seinen Gebrauch anpassen by Susann Winsel

“…The idea is that the adaptation of the body to the rock and its particular challenges was also construed through cinematic means, specifically the commanding, powerful character trope of the “mountain person.”…”
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Representation of Traumatic Memory in the Film Drishyam: A Barthesian Reading by Srilekha B. P., V. Bharathi Harishankar

“…Enhanced by various cinematographic techniques, the depiction of trauma is magnified within the visual narrative. …”
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A Review of Understand Film Studies by Ali Sheikhmehdi, Arsalan Moghadas

“…The author presents 10 different approaches for cinematic studies, and then pays attention to different techniques to create the images. …”
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Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion by Florent Christol

“…For what is the Carol if not a text about a character’s personal cinematic experience? The tale contains ‘techniques’ that would only be developed in cinema, as if Dickens was writing a story to be told by a medium not yet available in the Victorian age. …”
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An analysis of Masoud Kimiyaei’s novel, Jasadhaye Shishei by by Teymoor Malmir, Sarkoo Nazir Hosein

“…In this article, using the method of content analysis, the writing techniques used in the text of the novel and their consistency have been evaluated. …”
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A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert by Franck Dalmas

“…This article deems a different cinematic approach with a film that has not received full attention: Ryan’s Daughter by David Lean. …”
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Open Your Eyes Wider: Overexposure in Contemporary American Film and TV Series by Monica Michlin

“…While there are realistic uses of excessive lighting in film, overexposure almost always appears symbolic, and operates as a cinematic code that translates exposure to the magical, supernatural, or unconscious “other.” …”
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The Director–Composer Duo: Polanski & Komeda’s Deconstruction of Film Music Conventions in Horror Cinema. "Fearless Vampire Killers" (1967) and "Rosemary’s Baby" (1968) by Piotr Pomostowski

“…Fearless Vampire Killers and Rosemary’s Baby are cinematic examples of a very close collaboration between a director and a composer. …”
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L’homme obscur et l’esprit du jeu vidéo by Michaël Crevoisier

“…He bases his praise on an aesthetic characteristic of the cinematic image, made possible by the technique of the projection of moving images : we discover immense faces revealing the life of the spirit in their expressive movement. …”
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