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Blurring boundaries: early Sinhala cinema as another Adam’s Bridge between Ceylon and India (1948-1968)
Published 2017-06-01“…Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as a cultural and political articulation between these two spatialities, transcending colonial boundaries and traditional rivalries. …”
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Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950)
Published 2021-06-01“…I will consider the way the inhabitants, both indigenous and expatriate, of the British colonies in the Indian Ocean (in particular Sri Lanka and India) engaged with cinema objects but also its sites and edifices (auditoriums and studios) which, from their architecture to their interior, also paid tribute to the splendour of Empire. …”
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EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY
Published 2016-08-01Subjects: Get full text
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Assessing the Role of Soft Power in India-Russia Relations
Published 2023-05-01Get full text
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The Development and Competition of Cinemas in Jakarta, 1950-1966
Published 2023-06-01“…Those conflicts made Jakarta’s cinemas suffered a difficult time. The absence of imported films, especially from India, Malaysia and Hollywood, had an effect on the declining number of spectators. …”
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En Inde, dans les salles de cinéma, les spectateurs sont-ils acteurs ou simples spectateurs ?
Published 2012-04-01“…The spectator’s role in general is often questioned, but in the case of Indian spectators, it takes a whole new turn. Indeed, in India, since the arrival of cinema, members of the audience do not content themselves with being simply spectators of the films projected. …”
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Raconter la Partition de l’Inde : une impossible histoire des femmes ?
Published 2019-12-01“…After many years subjected to a vision of history dedicated to the glorification of the nation, the Partition of India (1947) has attracted renewed interest in the last thirty years or so, aiming to shed as much light as possible on this popular tragedy and its subaltern histories. …”
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Representation of Traumatic Memory in the Film Drishyam: A Barthesian Reading
Published 2024-12-01Get full text
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Mental Nerve Paraesthesia: A Report of Two Cases Associated with Endodontic Etiology
Published 2021-01-01Get full text
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BRICS Countries in Political Consciousness of Russian Citizens
Published 2019-07-01“…It is remarkable that the perception of the BRICS countries by the majority of respondents is primarily influenced by implicit factors which manifest in appeal to stereotypes and associations (India – cinema, Brazil – football, etc.). Dynamic factors, determined by political agenda, play a minor role forming the images of the BRICS countries. …”
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Literature and film : a guide to the theory and practice of film adaptation /
Published 2005Table of Contents: “…Niebylski -- Beloved : the adaptation of an American slave narrative / Mia Mask -- Oral traditions, literature, and cinema in Africa / Mbye Cham -- Memory and history in the politics of adaptation : revisiting the partition of India in tamas / Ranjani Mazumdar -- The written scene : writers as figures of cinematic redemption / Paul Arthur.…”
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