Cinéma/Science-fiction : vers un changement de paradigme critique ? by Simon Bréan

“…We will question here the critical paradigm shift that would be the most relevant to take these evolutions into account. …”
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A tensão pós-moderna no cinema by Maria Helena Braga e Vaz da Costa

“…This is the key element in the production of meaning, making cinema a signifying system connected to reality. Starting from different theories about the condition of post-modernity, this paper discusses contemporary cinema production by looking at the representation of urban space and violence as well as new paradigms for representing and understanding cultural identity in post-modernity and how we represent it through images…”
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Cinema as Testimony and Discourse for History: Film Cityscapes in Autobiographical Documentaries by Iván Villarmea Álvarez

“…However, the meaning of an image is never transparent but part of a cultural discourse to be interpreted. Therefore, cinema offers two possible historical readings: firstly as repository of authentic visual traces of the past, and secondly as representation that reveals the zeitgeist of a period. …”
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Transmettrelecinema.com : une plateforme pédagogique pour une certaine transmission d’un certain cinéma by Barbara Laborde

“…This article proposes a semiological analysis of the discourses and the editorialization of the educational videos available on the official platform of the CNC “Transmettre le cinéma”. It is observed the audiovisual staging of the videos, the analysis of the lexical content of the speeches, and the functionalities of the platform. …”
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A Comparative Study of: the Allegorical and Symbolic Expression of Paradise and Hell in “Ardavirafname” and the Movie “What Dreams May Come” by Alireza Pourshabanan, Amir Hossein Pourshabanan

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Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017) by María Dolores de los Ángeles Pérez Murillo

“…The New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. …”
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De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017) by Agnès Devictor

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Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Def... by Anne Marieke van der Wal

“…This article explores the representation of Afrikaner anti-Apartheid activism in Dutch cinema through an analysis of the films Black Butterflies (2011) and An Act of Defiance (2017). …”
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Semiotics, semiology and film by Keyan Tomaselli

“… Semiotics and semiology are quite different paradigms stemming from different origins. This paper demonstrates the differences and developes C.S. …”
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Perception urbaine, distraction et stratification chez Benjamin, Eisenstein et Vertov by Pascal Rousse

“…Walter Benjamin inaugura cette problématique avec la notion de « distraction », liant architecture et cinéma sur le fond du paradigme de la stratification de l’appareil psychique chez Freud.…”
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D’un détournement mineur du discours médical sur le sexe (Glen or Glenda, 1953) by Alain Naze

“…Relevant du « cinéma d’exploitation », si Glen or Glenda est encore capable de retenir l’attention du spectateur aujourd’hui, c’est sans doute moins grâce aux qualités intrinsèques du film lui-même, qu’eu égard à la hardiesse du propos aux temps du code Hays – les thèmes qui y sont abordés vont en effet du travestisme à la transsexualité en passant par l’homosexualité. …”
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