Ecological combustion: the atmospherics of the bushfire as choreography by Rachel Fensham

“…The close examination of several dances, that use different expressive vocabularies and structures, provides a means to access the experience of fire as an affect and a moving vital force in expressive formations that record real historical events and their impact. …”
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Co-creation of Activity Spaces in an amateur dance group: interactional construction of the Teaching Space by Naomi Smart, Beatrice Szczepek Reed

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Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place by Sarah DAVIES CORDOVA

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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

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Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather by Elena Igartuburu

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Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz by Julie Perrin

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A comprehensive scoping review of intergenerational dance programmes for cohorts with a generational gap. by Siobhán O'Reilly, Orfhlaith Ní Bhriain, Sarah Dillon, Amanda M Clifford

“…<h4>Results</h4>The search identified eleven research studies, seven expert opinion/practice expertise and 13 sources from the grey literature. Dance classes were typically 11-12 weeks long. Genres varied with some programmes including co-creation through choreography. …”
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Features of the development of coordination abilities in young schoolchildren by Dmytro Morozov, Iryna Kryventsova, Katarzyna Prusik

“…The study confirmed that a specially designed program with elements of dance and choreography significantly positively affects the development of coordination abilities in young schoolchildren. …”
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Le printemps à la portée des gestes. Danser le solo de l’élue dans Le sacre du printemps au XXIe siècle by Aurore Després

“…Here lies he drama of The Rite of Spring (1913), in which converge all matters in Stravinski’s music, Nijinski’s dance and Roerich’s scenography. How will the Chosen One repel death surrounding her, in a gesture of birth, in order for spring to flow out? …”
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Mesurer Merce Cunningham by Clarisse Bardiot

“…From data concerning the premieres of the 183 choreographies he created throughout his career, using various quantitative analysis tools and datavisualizations, can we identify typical features, characteristics specific to the history and life of the Merce Cunningham Dance Company as well as the aesthetics of Merce Cunningham?…”
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Deteksi Persamaan Pola Gerakan pada Koreografi Tari Bali by Ni Made Rai Maryati, Made Windu Antara Kesiman, I Made Gede Sunarya

“…The objective of this study is to detect the similarity of movement patterns in Balinese dances choreography and to calculate the same movements of several Balinese dances grouped by creator. …”
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Co-evoluzione nel rapporto tra creazione artistica e intelligenza artificiale. Sull’utilizzo specifico di “I Question”, “MADI” e “SIA” by Kim JaeMin

“…“MADI” creates original choreographies inspired by contemporary dance, exploring the possibility of AI-generated compositions. …”
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