Published 2025-01-01
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This article explores the conflated roles of translator and playwright embodied by Kuo Pao Kun (1939-2002), a doyen figure acclaimed as the embodiment of Singapore’s contemporary theatre. As a
Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically
Chinese art activist. …”
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