Showing 1 - 20 results of 133 for search 'Charles Madge~', query time: 2.96s Refine Results
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    Charles et ses images by Anne-Marie Baron

    Published 2009-01-01
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    Ridiculus sum : le ridicule dans Madame Bovary by Juliette Azoulai

    Published 2016-12-01
    Subjects: “…Madame Bovary…”
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    « En face avec une brutalité candide » : genèse de la première rencontre entre Charles et Emma dans Madame Bovary by Biagio Magaudda

    Published 2023-12-01
    “…Flaubert's manuscript drafts of Madame Bovary concerning the first sight scene between Charles and Emma proved very valuable and illuminating because it allowed us to examine how this meeting arose in Flaubert's imagination and to what extent the writer operated through allusions, the symbolic representation of objects and the unsaid.…”
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    Le Flaubert de Charles Du Bos by Jacques Neefs

    Published 2009-01-01
    “…Charles Du Bos devoted an unflagging attention to Flaubert’s work (except for Bouvard et Pécuchet, which, apparently, according to him did not exist), to Madame Bovary and in particular L’Éducation sentimentale. …”
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    Image à suivre by Philippe Dufour

    Published 2017-06-01
    Subjects: “…Madame Bovary…”
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    Transgression et subversion : George Jacob Holyoake, Charles Bradlaugh et l’athéisme militant à l’époque victorienne by Jean-Michel Yvard

    Published 2014-06-01
    “…Even if the idea of ‘honest doubt’ had been gradually making its way, the reputation of the atheist was still mainly negative. …”
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    Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre by Marie Tchernia-Blanchard

    Published 2018-05-01
    “…By retracing the development of his ideas through these events, this article proposes to revaluate Charles Sterling’s contribution to the practice of the temporary exhibition in the twentieth century and to determine how the way in which he made a name for himself in this exercise make him both a witness to and a privileged actor of the transformation of the object that accompanied these events, the exhibition catalogue, into a real instrument of storytelling in art history and, plus encore, a full-fledged scholarly tool.…”
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