‘A queer combination of a child’s mind with a grown-up joke’: Dickens’s Child Narrators in Holiday Romance (1868) by Isabelle Hervouet

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Agnès Sinaï, Raphaël Stevens, Hugo Carton et Pablo Servigne, 2015, Petit traité de résilience locale, Paris, Éditions Charles Léopold Mayer, 122 pages by Justin Bourel

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William Facey, (in collaboration with Michael C. A. Macdonald). Charles Huber: France’s Greatest Arabian Explorer. With a Translation of Huber’s First Journey in Central Arabia, 18... by M. D. Allen

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L’Angleterre et l’Écosse au miroir de la fureur : L’Écossaise d’Antoine de Montchrestien et Marie Stuard de Charles Regnault by Frédéric Sprogis

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Health economics assessment of statin therapy initiation thresholds for atherosclerosis prevention in China: a cost-effectiveness analysis by Tianyu Feng, Xiaolin Zhang, Jiaying Xu, Shang Gao, Xihe Yu

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Sébastien Scarpa, Algernon Charles Swinburne et les enjeux post-romantiques de la création et Denis Bonnecase et Sébastien Scarpa, éds., Tombeau pour Swinburne by Bénédicte Coste

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‘For God’s Sake Look at This!’: Physiognomy in Bleak House by Michael Hollington

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"Compensations of poverty" : la féerie urbaine ou la modernité en question dans "On Third Avenue" et "Ephemerid" de Mina Loy by Laure De Nervaux-Gavoty

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The Roaring Streets: Dickensian London in the Pages of Virginia Woolf by Francesca Orestano

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Distance without Remoteness: The Objectivist Poetics of Nonmimetic Pain by Xavier Kalck

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‘It’s bawdier in Greek’: A.C. Swinburne’s Subversions of the Hellenic Code by Charlotte Ribeyrol

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Le retable (1980-1982) de Charles Daudelin (1920-2001) de la chapelle Notre-Dame du Sacré-Cœur de la basilique Notre-Dame de Montréal by Marilie Labonté

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The Ongoing French Reception of the Objectivists by Abigail Lang

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Le soleil devient un mythe by Ildikó Lőrinszky

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Now-Time Poetics: Under The Sign Of Benjamin by Michael Heller

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Portraits de Résistantes (1847-1875) : la femme face au système patriarcal dans quelques romans victoriens by Jacqueline Fromonot

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Robert Creeley’s Refusals by Will Montgomery

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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto by Eduardo Valls Oyarzun

“…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. However, his critique of the 1880–1890 opera performances stands alone in its own right as the most influential early modern critical discourse on music drama in the British milieu. …”
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La poésie de Geoffrey Hill et ses sources juives : Les degrés de l’écart by Carole Birkan-Berz

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« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649) by Alice Leroy

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