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    Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: past analyses and future research by Kaja Kollandsrud, Unn Plahter

    Published 2019-06-01
    “…It is clear from the evidence gained that both the making and the perception of Catholic church art in medieval Norway was firmly rooted in an established culture consistent with Christian paradigms found in the rest of medieval Europe. …”
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