Cochlear Implant Programming: A Global Survey on the State of the Art by Bart Vaerenberg, Cas Smits, Geert De Ceulaer, Elie Zir, Sally Harman, N. Jaspers, Y. Tam, Margaret Dillon, Thomas Wesarg, D. Martin-Bonniot, L. Gärtner, Sebastian Cozma, Julie Kosaner, Sandra Prentiss, P. Sasidharan, Jeroen J. Briaire, Jane Bradley, J. Debruyne, R. Hollow, Rajesh Patadia, Lucas Mens, K. Veekmans, R. Greisiger, E. Harboun-Cohen, Stéphanie Borel, Dayse Tavora-Vieira, Patrizia Mancini, Helen Cullington, Amy Han-Chi Ng, Adam Walkowiak, William H. Shapiro, Paul J. Govaerts

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Quand les paroles s’envolent : réflexions sur les caractéristiques et la forme phonétique du High Rising Terminal en anglais contemporain by Stephan Wilhelm

“…Hirschberg & Ward 1995, Ladd 1996, Fletcher et al. 2005, Liberman 2006b) insist that the name ‘High Rising Terminal’ implies that the intonation contours favoured by ‘uptalkers’ are mainly high-rises, i.e. rising nuclear tones which start relatively high in the speakers’ pitch range and end at a very high pitch, so that the voice often becomes ‘squeaky’ (Cruttenden 1997). …”
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