Published 2024-12-01
“…This paper seeks to
assert by referring to western and non-western feminist discourse that,
despite successfully subverting the popular representation of women
in feminist revenge narratives and emphasizing the perpetuating
maltreatment of women in South
Asian patriarchal households, the
film could not liberate itself from the two oppositional representations
of women – “angel” and “madwoman” (in case of Darlings, it is
murderer), popularized by Sandra Gilbert and Susan Gubar in The
Madwoman in the Attic. …”
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