Archiver ailleurs, archiver autrement ? by Stefanie Baumann

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« Resident and Visitor », Brook Andrew et Christine Barthe en conversation by Christine Barthe

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Photographic self-fashioning. The role of photography in community-formation by the skagen painters by Mette Bøgh Jensen

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30 ans de photographie au New York Times Magazine by Anne Lesme

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François Brunet. La Naissance de l’idée de photographie. by Claire Joubert

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Interview of Darin Mickey, photographer and faculty member at the International Center of Photography by Hélène Béade

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Les photographies de l’ethnologie : objets exposés, objets projetés by Anaïs Mauuarin, Carine Peltier-Caroff

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Les photographies du paysage : quelles analyses des dynamiques paysagères ? by Caroline Guittet, Laurence Le Dû-Blayo

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La photographie industrielle entre image documentaire et image publicitaire by Régis Huguenin

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Smartphone Photography as a Teledentistry Method to Evaluate Anterior Composite Restorations by Haleh Valizadeh-Haghi, Safa Valizadeh-Haghi, Nasim Naslseraji, Hamed Zandian

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Extinction studies in focus: Reflections on photography at a time of ecological decline by Kate Simpson, Sarah Oakes, Aureja Stirbyte, Katie Prosser, Timothy M. Brown, Jonathan David Roberts, Amy J. Bartlett

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Henri Cartier-Bresson / Walker Evans : Photographier l’Amérique (1929-1947) by François Brunet

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Photography in elementary education. Constructing the meaning of the concept of symmetry in the process of interiorization and exteriorization by Małgorzata Makiewicz

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Fast Matching Method of UAV Aerial Photography Enhanced Low Illumination Image by Wenyao Li, Guangqing Liu, Kuan Lu, Pengyun Chen, Junjie Cui, Mingrang Yu, Peng Shen

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Quantitative assessment of colour fundus photography in hyperopia children based on artificial intelligence by Yuan Zhang, Yingting Zhu, Zhirong Wang, Yue Xiao, Yehong Zhuo, Zhidong Li, Guitong Ye, Jianqi Chen, Ruiyu Luo, Rui Xie, Jinan Zhan

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The “text of life” in Vito Acconci’s Diary of a Body by Stamatina Dimakopoulou

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‘Je n’ai rien à dire. Seulement à montrer’ : le travail photographique et poétique de Natalie Czech by Vanessa Desclaux

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Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990 by Marine Benoit-Blain

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Photographie et écologie aux États-Unis: l’image à contre-emploi by François Brunet

“…A traditional and powerful connection links landscape art and environmental consciousness in North American art, classically embodied in artists such as Thomas Cole in painting and Ansel Adams in photography, and reinforced since the 1970s by various photographic projects animated with militant environmentalist purposes. …”
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Quand la photographie s’attache à l’architecture et au paysage. by Sonia Keravel, Frédéric Pousin

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