« C’était une surprise sentimentale qu’il réservait à sa femme... son portrait en habit noir » by Françoise Gaillard

Get full text

Gestes et images du voyage en Orient by Monique Sicard

Get full text

Archiver ce qui aurait pu avoir lieu by Stefanie Baumann

Get full text

Richard Pak : Pursuit by Muriel Adrien

Get full text

Analyse du balisage d’un itinéraire culturel du Conseil de l’Europe : l’exemple de la Via Francigena sur quatre tronçons en Suisse et en Italie by Éric Masson, Maryvonne Prévot

Get full text

Immagini migranti, immagini in-discriminanti Latenze e valenze nell’uso di foto e filmati in ambito migratorio by Alberto Baldi

Get full text

Pulsating Bubble Collapse and Jet Characteristics Near the Nozzle of Underwater Tube by ZHANG Yueyao, QIAO Feng, LÜ Xiang, ZHANG Tianyuan, HAN Rui, LI Shuai

Get full text

Variation sur l’autoreprésentation photographique féminine au tournant du siècle by Marie Cordié Levy

“…Turning away from domestic chores, many women became photographers at the end of the 19th century, setting up portrait studios in American cities, while men turned to landscape photography. In order to understand what drove them on, we propose to study a series of self-portraits by three American photographers: Frances Benjamin Johnston, Ann Brigman and Imogen Cunningham, using the method developed by the historian Carlo Ginsburg and the historian of art Aloïs Riegl, which is akin to Bronislav Malinowski’s participative objectivation1.1. …”
Get full text

« Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô by Dominique Jullien

“…In Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photography, and sculpture, genres and media which Flaubert sought either to emulate or to rival in his writing. …”
Get full text

À propos de la mallette pédagogique de la Ligue des Droits de l’Homme by Marie-Christine Vergiat

Get full text

Fantômes de l’écrit chez Ralph Eugene Meatyard by Jean-Marc Victor

Get full text

Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…In his images, sensitivity to art mingles with the other side of the extreme pursuit of photography, and gardening expresses the art of living. …”
Get full text

Lewis Hine et le National Child Labor Committee: vérité documentaire et rhétorique visuelle et textuelle by Anne Lesme

Get full text

Collaborative Documentary Photo Projects: from Techno-utopia to Imagined Community by Karine Chambefort-Kay

Get full text

Twelve Million Black Voices: Let Us Now Hear Black Voices by Laurence Cossu-Beaumont

Get full text

Screening for diabetic retinopathy at a health centre in South Africa: A cross-sectional study by Ntokozo Zulu, Patrick Ngassa Piotie, Elizabeth M. Webb, Wezi G. Maphenduka, Steve Cook, Paul Rheeder

Get full text

Henri Peretz : « Pourquoi et comment Chicago est devenue au début du vingtième siècle, la ville de l’avant-garde dans des domaines aussi différents que le jazz, la photographie, l’... by Sarah Leboime

Get full text

Weegeedu 26 mars au 18 mai 2014 by Muriel Adrien

Get full text

L’Art de voler et L’Aile brisée, d’Antonio Altarriba et Kim, sont-ils des récits mémoriels historiques en bande dessinée ? by Isabelle Delorme

“…Historical graphic memoir is a new comic book genre that emerged after the publication of Art Spiegelman's Maus at the turn of the 1990s. …”
Get full text

CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

Get full text