Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…A strange alliance thus took place between the poet, the actor, and a voice tradition seemingly very far from the “yeatsian utopia”. …”
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The Threat from European Missile Defence System to Russian National Security by A. I. Podberezkin, J. Y. Parshkova

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Borrowing another voice or the Cyrano complex by Julie Vatain

“…The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. …”
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Caregiver’s experiences with a mobile-based educational program and its impact on dietary treatment compliance of children with methylmalonic acidemia: an online survey by Qing Luo, Chunqin Liu, Lizhou Lin, Xuehua Liu, Huifang Chen

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Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage by Claudia Alonso Recarte

“…This work examines how, through the adaptation of the widely celebrated French canine melodrama Le chien de Montargis onto the British stage, Victorian society explored and attempted to define its own distinct cultural alliance and conceptualization of the dog. Based on a medieval legend, Le chien was originally written for the Parisian stage by Guilbert de Pixerécourt in 1814, and it immediately attracted the attention of English theatre businessmen. …”
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