If Music is Ongoing Experience, What Might Music Theory Be? . A Suggestion from the Drastic by Christopher F. Hasty

“…In this essay I will take the creativity of experiencing and all the complexity that comes with it as a positive fact that might lure us to think about time and process in music. …”
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Centering Orality in the Music History Classroom by Elizabeth Elmi

“…But what do we lose when we focus on the richest forms of writing to the exclusion of all else? What about the thousands of others who sang and danced and played in various traditions and languages and cultures throughout the medieval and early modern world? …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…Returning to Cluj to once again conduct the great operatic masterpiece Tannhäuser, the maestra agreed to sit down for an interview focusing on about a conductor’s life and work in the XXI century, her unique musical thinking, current and future projects and on the experience of conducting in Romania. …”
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Sa'adi in the Chain of Prosodic Poets (A Critical Study of the Meters of Sa'adi ’s poetry, Based on Printed Texts and Manuscripts, With a Discussion about Prosodic Poets throughout... by Mohammadamir Jalali

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Musical Instruments of the Turkic Peoples of the Volga Region and Urals by Gulnara Khayrullina

“…Variety, rich sound, unusual melody pattern – national musical instruments create all this. Every ancient musical culture has its origins in ancient rites. …”
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Personally-oriented models of development of musically gifted children by N. G. Tagiltseva, L. V. Matveyeva, М. А. Byzova

“…The shortage of highly skilled teachers and cultural industry, weak involvement into cultural life (inability to attend concerts, theatrical performances, exhibitions, etc.), very limited access to participation in creative competitions, olympiads, competitions – all this negatively affects motivation engage in art activity and can lead to serious personal crises and waste of talent.The aim of the article was to reveal the content of models of work with musically gifted children, who have certain problems that block their creative development.Methodology and research methods. …”
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"He Has Rescued Me from Danger" by Sarah Bishop

“…All point to the same phenomenon: that music can play a role in human resilience and meaning-making. …”
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'Choralbücher' from Northern Germany 'c'. 1800 – a Dataset for Studies in Hymnology, Music Culture and Figured Bass by Kirsten Gerhardt, Matthias Kirsch

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Dare agli eventi una «istorica forma»: padre Martini e i primordi della storiografia musicale by Maria Semi

“…Taking Padre Giambattista Martini’s view of music history as a lynchpin of the discussion, the first part of the article argues that some elements Carl Dahlhaus identified as defining the essence of musical historiography are actually latecomers: not only did they not play any part in the writing of the first music-historical works, but also and above all their absence does not grant these earlier works any lesser degree of ‘historicity’. …”
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Ja, goed te deunen onze machtige (Psalm 147,1): De zoektocht naar een toonzetting van de Psalmen by A. de Keyzer

“…It is all about facilitating the saying of the psalm verse, consisting of two half verses that are separated and connected by a meditative caesura. …”
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Le choro, musique métisse et originelle : transferts culturels, hybridations et identité culturelle nationale au Brésil (1870-1930) by Alice Boccara

“…Born in Rio de Janeiro in the 1970s, the musical genre of choro is one of the three genres at the roots of all Brazilian music. …”
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La maison et le jardin de Maurice Ravel à Montfort-l’Amaury (Yvelines) by Agnès Chauvin, Marie-Hélène Didier

“…For specialists, they constitute a real exhibition about the artist. The house and its garden are filled with souvenirs, dreams and music that make them all the more interesting, a remarkable universe which subjugates all the visitors. …”
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Koro Ve Orkestra /Oda Müziğinde Seslendirme/Yorumlama Başarım Gücü Üzerine Program Odaklı Bir İnceleme - A Program Based Analysis Of Performing Success In Choir And Orchestra/Chamb... by H. Seval Köse, M. Can Çiftçibaşı

“…Research data was acquired through document analysis and qualitative interviews. In the music teaching undergraduate program, all A coded courses are examined in general. …”
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Effect of Shang-tune music on the relief of negative emotions in patients with chronic obstructive pulmonary disease and its influencing factors (商调音乐改善慢性阻塞性肺疾病患者负面情绪的效果及其影响因素分析)... by XIE Xiaomin (谢小敏), ZHANG Yanmei (张焱梅), PAN Tiantian (潘甜甜), CAO Jing (曹静), YU Wenwen (於雯雯), WU Jingjing (吴静静), ZHAO Huan (赵焕)

“…Personal characteristics, education level, knowledge about music, family support and CAT scores were potential factors influencing the implementation of Shang-tune music therapy. …”
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The use of authentic songs in teaching Russian as a foreign language on A1-A2 level by Natalia A. Gridneva, Svetlana M. Vladimirova

“…Nonetheless the authentic song seldom comes into use when teaching beginners, in the methodical literature this question is not often written about too. All this speaks for a low degree of development of methods of authentic songs’ using at the initial stage (including RFL). …”
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Die Entstehung der Entstehung by Thomas Christensen

“…Today, the context of Dahlhaus’s monumental book may not be clear to all readers, as it engages in dialogue (sometimes explicitly, often implicitly) with a number of other (mainly German) musicologists who were writing during the two decades immediately preceding its publication about questions related to the origins of harmonic tonality. …”
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The German Days of Dora Pejačević by Domagoj Marić

“…(The question primarily refers to Dresden, since Munich was still a bigger musical centre. After all, in the same period as Dora Pejačević, the Croatian composer Krsto Odak studied in Munich, but there are no known contacts between them.) …”
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Ce que le livestream fait au live by Romain Bigay

“…The first consequence of the digital transition in the music industry is to bring about a crisis in the physical media market which has not yet finished delivering all its implications. …”
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A Delicate Balance by Jan Corcoran

“…I paint to music, all kinds, that brings an intensity and energy that seems to take on a life of it's own within the work.  …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…These papers are all included, in this presented volume, with other two studies: Ciprian Porumbescu – Friends and his Collaborators of Braşov (author: the regretted musicologist professor Constantin Catrina from the Transylvania University of Braşov) and The Aspects of the Musical Language and of its Architecture in Compositions by Ciprian Porumbescu (author: Ozana Kalmuski-Zarea – from the “Mihail Jora” Philharmonic of Bacău). …”
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