Nous venons en paix : l’immigration dans les films de science-fiction après la Guerre Froide by Samantha Kountz

“…The semantic and syntactic analysis of such films highlights the underlying metaphors behind the use of aliens and UFOs as commentary on the culture of these movies a depiction of the aliens in terms of race, class and citizenship. …”
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Le grotesque en science-fiction by Istvan Csicsery-Ronay (Jr.)

“…Même le récit mute continuellement, changeant d’une forme à l’autre. Les films Alien, par contraste, représentent le grotesque science-fictionnel spectaculaire. …”
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OK Computer: Analogue Death, Digital Rebirth, and Radiohead’s Electronic Turn by Kwasu David Tembo

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Empowering women on screen: exploring the influence of female protagonists on contemporary culture and gendered enjoyment in film by Fokiya Akhtar, Azmat Rasul

“…A prevalent notion in the film industry across the globe suggests that female-led films may underperform, leading producers to avoid casting women as leads. …”
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Screen interpretation of Franz Kafka's novel 'The Trial': Interaction of the author with the s­cript writer and film director by K.V. Arjantzeva

“…The main problem covered in his works is the problem of disengagement, alienation, and disunity, which has become the attribute of the modern world. …”
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Captation spéculaire et mise en abyme dans le film Jane Eyre de Franco Zeffirelli by Isabelle Van Peteghem-Tréard

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SİNEMA FİLMLERİNDE ESTETİK ÖZNEYİ YABANCILAŞMAYA YABANCILAŞTIRMAK: NIGHT CRAWLER FİLMİNDE YABANCILAŞTIRMA ETKİSİ by Selçuk Ulutaş

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Gerçekliğin Katmanları Arasından Üçüncü Sinemaya Doğru: “Ben, Daniel Blake” by Azime Cantaş, Meral Serarslan

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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…Analysing Jonathan Glazer’s Under the Skin (2013), this article provides an overview of the importation of suture theory from psychoanalysis into film theory and Žižek’s revisiting of this theory, then bringing about a rapprochement between the concepts of suture and Malabou’s destructive plasticity, as expounded in her work The New Wounded. …”
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Part of the people or apart from the people? by clinton peter verdonschot

“…I will argue that the film's conception of Barbie Land and the Real World, as discrete planes of existence, is itself a symptom of the alienated state of existence that Barbie aims to overcome. …”
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Tell Me Lies (Peter Brook, 1968) or How I Learned to Start Worrying about Vietnam by Nicole Cloarec

“…The film’s originality also lies in its kaleidoscopic aesthetics, blending documentary techniques with fiction, the immediacy of newsreels and pieces to camera with musical interludes, staged performances, Brechtian “alienation effects” and self-reflexive comments. …”
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The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma by Monica Michlin

“…These Gothic texts or films often stage maze imagery that simultaneously captures the characters’ feelings of terror and alienation, and Gothic postmodern texts’ complexity, playing on their status as “haunted houses” of images and/or words, and, in an ultimate gothic twist, on the “ghosting” of the text itself.…”
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Cinéma et lien : une enquête intime auprès d'une famille italienne en Lorraine by Marion Froger, Émilie Tullio

“…Cross-cultural experiences often shake the foundation of the migrants' values, yet cinema makes it possible to overcome this state of alienation since every film stimulates ethical reflection – and thus the search for justice – by creating a sense of universal solidarity. …”
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Représentations du temps et de l’espace en science-fiction : du roman à l’écran by Orlane Glises de la Rivière

“…The books deal with the presence of an alien intelligences to which humans are confronted: they don’t understand who or what it is. …”
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Fear of an Islamic Planet? Intermedial Exchange and the Rhetoric of Islamophobia by Stefan L. Brandt

“…My essay argues that contemporary public discourse in the U.S. addresses an array of viral images, portraying Muslims as essentially “alien” to mainstream American values. The fears of a potential—or already ongoing—“Islamization of America” are kept alive through continual interaction between texts and images from hegemonic visual discourse, involving what I call “intermedial exchange” between literary texts, films, television shows, magazines, newspapers, and the Internet.…”
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Roteiro de viagem ao país de Lacan by Laéria Fontenele

“…Assim, por exemplo, os conceitos de “ideal do eu” e “supereu” são transmitidos na medida em que Lacan torna-se espectador do filme “Casablanca”. O conceito de real, por sua vez, emerge da posição de Lacan como espectador de Alien. …”
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