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    Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

    Published 2021-12-01
    “…Fálétí’s Afọnja and Gáà’s thematic preoccupation is how the Yorùbá subjectivity has been constituted over time through its political evolution. The three films also demonstrate what Stuart Hall considers to be the connection that cultural studies seeks to make to matters of power and cultural politics.3 With regards to the role of Fálétí as pioneer in the area of radio-vision cultural industries the broadcasting mogul narrated the manner in which he pioneered the phone-in radio broadcast in Nigeria on the programme “Ѐyí Àrà” at the Broadcasting Corporation of Ọyọ̀ ́ State, Ibadan (BCOS) after pioneering Yorùbá broadcasting on Africa’s first television station Western Nigeria Television (WNTV) twenty years earlier.4 Fálétí’s career spanning close to seven decades dovetails public services with private engagement with drama production. …”
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    Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção by Olivia Silva Nery, Frantieska Huzsar Schneid, Maria Letícia Mazzucchi Ferreira, Francisca Ferreira Michelon

    Published 2015-01-01
    “…First, we analyze the movie Le Fabuleux Destine d’Amélie Poulain (2001), in which the character’s life changes after she finds a box hidden in her home. Then analyze the episode “Male in the Mail” from the American TV series Bones (2012). …”
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