La restauration du piano de Grétry by Patrick Dheur

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Création d’un centre de recherche à l’Université de Liège by Julie Bawin

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Mark Rothko: Untitled (Black on Maroon). by Rachel Barker, Bronwyn Ormsby, Melinda Keefe, Scott Wills

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V. Van Saaze, Installation Art and the Museum, Presentation and Conservation of Changing Artworks, by Manon D'haenens

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ICOM commitee for conservation, 16th Triennial Conference Lisbonne by Muriel Verbeeck

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Адсорбция нефтепродуктов модифицированными и активированными адсорбентами by © А.Д. Чугунов, Е.Г. Филатова

David A. Scott, Authenticity, Restoration, Forgery by Muriel Verbeeck-Boutin

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Alison Richmond, Alison Bracker, Conservation: Principles, Dilemmas and Uncomfortable Truths by Iris Kapelouzou

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Introduction by Muriel Verbeeck-Boutin

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Pascal LABREUCHE, Paris, capitale de la toile à peindre – XVIIIe-XIXe siècle   by Sophie Moreaux

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Ride the wave by Kate Seymour

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Jean-Jacques Ezrati, Eclairage d'exposition. Musées et autres espaces, by Noémie Drouguet

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Politiques de conservation : les mots et les choses by Gaël de Guichen

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Francesc Cambó : una biografia necesaria y compleja by Borja de Riquer i Permanyer

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The many forms of ‘vandalism’ in relation to modern art by Sandra Weerdenburg, Netta Krumperman, Rebecca Timmermans, Tessa Rietveld

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In memoriam – Paul Philippot by Muriel Verbeeck-Boutin

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Art d’aujourd’hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines by Muriel Verbeeck-Boutin

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Jérôme Glicenstein, L’art : une histoire d’expositions by Olivier le Falher

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Conservation d'une oeuvre monumentale contemporaine de Jean-Pierre Pincemin by Muriel Verbeeck-Boutin

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المحتويات

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