Showing 1 - 20 results of 26 for search '1996 in film', query time: 0.06s Refine Results
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    The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western by Julie Assouly

    Published 2018-07-01
    “…The wandering character is a regular feature in the Coen Brothers’ films. Roaming the American South and West, two regions those directors have explored on various occasions, Coenian wanderers are mysterious, ominous characters, often grotesque, most of them undoubtedly having Gothic roots. …”
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    Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca by Paul Marchbanks

    Published 2006-12-01
    “…Dans le quatrième chapitre de son ouvrage intitulé Brontë Transformations (1996), Patsy Stoneman révèle l’importance des reprises et transformations dont a fait l’objet Jane Eyre (1847) de Charlotte Brontë dans diverses pièces de théâtre, romans et films depuis sa publication initiale. …”
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    Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent by Eleonora Sammartino

    Published 2017-02-01
    “…Since the 1980s, American film musicals have been increasingly concerned with subjectivities that escape heteronormative categorizations, asserting their gender through a performance that gestures to a major fluidity between gender positions. …”
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    From Independence Day to Land of Plenty: Screening American Patriotism from German Émigré Perspectives before and after 9/11 by Frank Mehring

    Published 2010-11-01
    “…Independence Day and Land of Plenty are also two American feature films directed by German émigrés, the first being a science fiction blockbuster from 1996 by Roland Emmerich, the second an independent road movie from 2003 by Wim Wenders. …”
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    The “found story” in Derviş Zaim’s cinema: Documentary reality through the possibilities of digital cinema by Aslı Güngör

    Published 2024-12-01
    “…Zaim blends found story with fiction, constructing a framework in which content and form reinforce each other. His films Somersault in a Coffin (1996) and Cycle (2013), based on real events and characters, are rooted in found stories drawn from the fabric of life. …”
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