Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition by Sylvie Durand

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A Gothic heterotopia: four Anglophone responses to Venice by John Thieme

“…It pursues this line of thinking in relation to four Anglophone representations of Venice: the recent film A Haunting in Venice (2023), directed by Kenneth Branagh and scripted by Michael Green, which is very loosely adapted from Agatha Christie’s Hallowe’en Party (1969), and which subjects the whodunnit genre to a Gothic makeover, Daphne du Maurier’s short story ‘Don’t Look Now’ (1971) and Nicolas Roeg’s film adaptation (1973) of it, in which the Gothic particularly manifests itself in the form of psychic precognition, and Amitav Ghosh’s novel Gun Island (2019), in which an ostensibly realistic novel is infiltrated by recurrent paranormal elements, several of which are occasioned by the ‘unnaturalness’ of climate change. …”
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Çocuk Yıldız Filmleri İle Canım Kardeşim Filminin Anlatı ve Karakter Özellikleri Bakımından Karşılaştırılması by Rifat Becerikli

“…Diğer yandan Ertem Eğilmez’in Canım Kardeşim (1973) filmi çekildiği dönemde gişede başarısız olsa da yıllar içinde Türk Sineması’nda önemli bir yer edinmiş ve film “çocuk yıldızlı” filmler kategorisinde değerlendirilmiştir. …”
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Oblicza wielokulturowości we współczesnej kinematografii Australii. Oswajanie inności w „Lucky Miles” Michaela Jamesa Rowlanda by Martyna Olszowska

“…Analizuje przede wszystkim pierwszy australijski film fabularny podejmujący kwestię nielegalnych uchodźców (tzw. boat people), Lucky Miles Michaela Jamesa Rowlanda, jako przykład jednej z dróg filmowego oswajania etnicznej i kulturowej inności. …”
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Research on the Fracture Properties and Modification Mechanism of Polyester Fiber and SBR Latex Modified Cement Concrete by Mingkai Zhou, Dong Fang, Deyong Jiang

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Czas dzieciństwa i dojrzewania. Dwie epoki heroiczne w „Sanatorium pod Klepsydrą” by Małgorzata Jakubowska

“… Sanatorium pod Klepsydrą (1973) Wojciecha Jerzego Hasa opowiada o powrocie do dzieciństwa i wieku nastoletniego, nie jest jednak historią utkaną z tradycyjnie rozumianych wspomnień. …”
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La intertextualidad como recurso neobarroco en El hombre, la hembra y el hambre, de Daína Chaviano by Maritza M. Buendía, Lucía Ramírez-Vargas

“…Mediante una lectura en filigrana, se hace un estudio comparativo entre Claudia —protagonista de esta obra literaria—, Papillon y McMurphy —personajes de los filmes Papillon (1973) y One Flew Over the Cuckoo’s Nest (1975), respectivamente—. …”
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