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  1. 1

    Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

    Published 2016-07-01
    “…A pioneer of the gore subgenre, Herschell Gordon Lewis and his exploitation of graphic violence and blood in order to take the horror genre one step further has influenced the gruesome aesthetics of Waters’s films. Likewise, Waters’s emulations of the mondo films, pseudo-documentaries depicting sensational topics and supposedly real barbaric human behaviors all around the world, have also contributed to gross out his audiences. …”
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    Far From the Madding Crowd /

    Published 2002
    View in OPAC
    Video
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    A Gothic heterotopia: four Anglophone responses to Venice by John Thieme

    Published 2024-10-01
    “…It pursues this line of thinking in relation to four Anglophone representations of Venice: the recent film A Haunting in Venice (2023), directed by Kenneth Branagh and scripted by Michael Green, which is very loosely adapted from Agatha Christie’s Hallowe’en Party (1969), and which subjects the whodunnit genre to a Gothic makeover, Daphne du Maurier’s short story ‘Don’t Look Now’ (1971) and Nicolas Roeg’s film adaptation (1973) of it, in which the Gothic particularly manifests itself in the form of psychic precognition, and Amitav Ghosh’s novel Gun Island (2019), in which an ostensibly realistic novel is infiltrated by recurrent paranormal elements, several of which are occasioned by the ‘unnaturalness’ of climate change. …”
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    Representación del indígena en el cine venezolano: Contrastando estereotipos: entre ficciones y realidades by Emperatriz  Arreaza  Camero

    Published 2023-06-01
    “…This paper presents a preliminary film inventory of this filmography, as a representative example of fictional films and documentaries, with indigenous theme, to know the representation of this population in the current Venezuelan “audiovisual imagery”, during this particular time.…”
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    Rewizje historii Polski a „miękka awangarda” filmowa lat sześćdziesiątych by Ewa Mazierska

    Published 2010-06-01
    “…Na tle takiego właśnie rozgraniczenia „awangard” prezentuje następnie trzy polskie filmy (Salto /1965/ Tadeusza Konwickiego, Barierę /1966/ Jerzego Skolimowskiego i Molo /1969/ Wojciecha Solarza). Przynależność tych filmów do nurtu awangardowego może budzić wątpliwości, dlatego Mazierska opatruje je etykietką „miękkiej awangardy”. …”
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    Conjugated Ladder Polymers: Unique Organic π-Conjugated Materials for Optoelectronics, Transistors, and Energy Harvesting and Storage by Kok Chan Chong, Teck Lip Dexter Tam, Ran Tao, Kang Le Osmund Chin, Ming Hui Chua, Jianwei Xu

    Published 2025-01-01
    “…Since the seminal work on the synthesis of high-molecular-weight, solution-processable poly(benzimidazobenzophenanthrolinedione) in 1969 by F. E. Arnold and R. L. Van Deusen, many cLPs have been developed for a variety of applications. …”
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    De la porte de Brandebourg à La Havane : Wilder, Hitchcock et l’héritage révolutionnaire by Julie Michot

    Published 2019-09-01
    “…The aim of this essay is to study the devices used by both whether in their script or filming, to illustrate their vision of capitalism and communism. …”
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