Adomas Jakštas - Dambrauskas (1860-1938) as a Lithuanian public figure and literary man by Vanda Stonienė

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“The Map-makers’ Colors”: Maps in Twentieth-Century American Poetry in English by Adele J. Haft

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“Tratado” e Exercício de ser criança: a infância entre versos, rimas e tintas by Penha Lucilda de Souza Silvestre, Alice Áurea Penteado Martha

“…In this sense , our objective is to perform a journey through the poetic universe from the reading of the texts Exercício de ser criança (1999), by Manoel de Barros, and Um pequeno tratado de brinquedos para meninos quietos (2009), by Selma Maria Kuasne, associating the m to the paintings by Candido Portinari, ‘Boys flying kites’ (1932), ‘Children playing’ (1938) and ‘Boys playing’ (1955). Indeed, these pictures enable us to rethink how the representation and the constitution of childhood in art are conceived and to under stand them in the weaving of poetry and painting, as well as the act of playing, in a dialectical process.…”
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Dépendance et attraction dans la poésie de Màiri MacPherson by Jean Berton

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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…According to the classic formulation of Johan Huizinga’s Homo ludens (from 1938), culture itself would derive its fundamental features from the elementary structure of play. …”
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Dalia Gargasaitė - bibliographer and book science specialist by Jonas Mačiulis

“… Dalia Gargasaitė (1938-1998) is considered to be one of the most distinguished contemporary bibliographers and book science specialists of Lithuania. …”
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Thomas Wolfe: Modo and the Potential for Renaissance by Amélie Moisy

“…In Thomas Clayton Wolfe (1900-1938) and his work, the Modernist tension between neophilia and neophobia was apparent and ultimately redirected into a restoration of vital force of writing. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“…Essays 60 Adeshina Afolayan In fact, the publication of Fágúnwà’s Ògbójù Ọdẹ Nínú Igbó Ìrúnmalẹ (The ̀ Intrepid Hunter in the Forest of Spirits, 1938) made the chronology of literary events in Africa, and it misses out Fálétí’s 1965 work. …”
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