Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle by Claire Dupin de Beyssat

“…By studying three distinct phenomena, which more or less follow the career of a nineteenth-century artist, it clearly appears that the Louvre, even when it did not really contain works of its period, remains a model systematically cited by institutions for art education, diffusion and legitimation.…”
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